Scoop

by Evelyn Waugh

Book Overview

Selected by the Modern Library as one of the 100 best novels of the century, Scoop is a thoroughly enjoyable, uproariously funny satire of the journalism business (New York Times). Lord Copper,... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0316926108
• ISBN13: 9780316926102
• Release Date: September 1999
• Publisher: Back Bay Books
• Length: 336 Pages
• Weight: 0.66 lbs.
• Dimensions: 1.0" x 5.0" x 7.8"

Customer Reviews

Good stuff

creative and comical easy read keeps your mind moving

Brilliant Wit From the Inimitable Waugh

Yes, I'd be bold enough to name Evelyn Waugh as one of the world's greatest writers, a true genius when the word actually meant something (it's handed out too freely nowadays!); we shall likely never see his match again. "Scoop" is not only hilarious (I laughed out loud quite often), but the satire is as timely as it ever was. He is a keen observer of human beings and his depiction of the disorderly East African government and the Fleet Street news agency so given to politically motivated perks that a trick cyclist had been engaged to edit the Sports Page on a five year contract is spot on. All of the absurdity is wonderful. An absolute delight.

Waugh's Comic Assault on Wartime Journalism

In October 1935, Italy invaded the independent African nation of Ethiopia. The Italo-Ethiopian War lasted less than eight months, Emperor Haile Selassie's kingdom falling quickly before Italy's modern weaponry. It was a little war that, nonetheless, implicated the great powers of Europe and foreshadowed the much bigger war to follow.Evelyn Waugh was in his early 30s, already the author of four remarkable comic novels, when he accepted an assignment to cover the Italo-Ethiopian War for a London newspaper. The enduring result of that assignment was Waugh's fifth novel, "Scoop," a scathing satirical assault on the ethos of Fleet Street and its war correspondents, as well as on Waugh's usual suspects, the British upper classes.The time is the 1930s. There is a civil war in the obscure country of Ishmaelia and Lord Copper, the publisher of the Beast newspaper, a newspaper that "stands for strong, mutually antagonistic governments everywhere," believes coverage of the war is imperative:"I am in consultation with my editors on the subject. We think it a very promising little war. A microcosm you might say of world drama. We propose to give it fullest publicity. We shall have our naval, military and air experts, our squad of photographers, our colour reporters, covering the war from every angle and on every front."Through the influence of Mrs. Algernon Stitch, Lord Copper soon identifies John Courteney Booth, a best selling popular author, as the right man to cover the war in Ishmaelia. Neither Lord Copper nor his inscrutable editorial staff, however, is especially well read or familiar with the current socially respectable literati. Amidst the confusion, Mr. Salter, the foreign editor, mistakenly identifies William Booth, country bumpkin and staff writer for the Beast, as the "Booth" to whom Lord Copper was referring:"At the back of the paper, ignominiously sandwiched between Pip and Pop, the Bedtime Pets, and the recipe for a dish named 'Waffle Scramble,' lay the bi-weekly column devoted to nature: --Lush Places. Edited by William Boot, Countryman." 'Do you suppose that's the right one?' "" 'Sure of it. The Prime Minister is nuts on rural England.' "" 'He's supposed to have a particularly high-class style: 'Feather-footed through the plashy fen passes the questing vole' . . . would that be it?' "" 'Yes,' said the Managing Editor. That must be good style. At least it doesn't sound like anything else to me.' "Thus, William Boot, Countryman, soon finds himself on his way to Ishmaelia to cover the civil war for the Beast. Boot hooks up with an experienced wire reporter named Corker along the way. Corker teachers Boot the ins and outs of covering the war, a war in which reportage comes from little more than the imagination of the journalists sent to cover it and the editorial policies of their papers. The real nature of the war correspondent's profession is suggested when Boot and Corker go to the Ishmaelia Press Bureau to obtain their credentials: "Dr. Ben

Waugh's Comic Assault on Wartime Journalism

In October 1935, Italy invaded the independent African nation of Ethiopia. The Italo-Ethiopian War lasted less than eight months, Emperor Haile Selassie's kingdom falling quickly before Italy's modern weaponry. It was a little war that, nonetheless, implicated the great powers of Europe and foreshadowed the much bigger war to follow.Evelyn Waugh was in his early 30s, already the author of four remarkable comic novels, when he accepted an assignment to cover the Italo-Ethiopian War for a London newspaper. The enduring result of that assignment was Waugh's fifth novel, "Scoop," a scathing satirical assault on the ethos of Fleet Street and its war correspondents, as well as on Waugh's usual suspects, the British upper classes.The time is the 1930s. There is a civil war in the obscure country of Ishmaelia and Lord Copper, the publisher of the Beast newspaper, a newspaper that "stands for strong, mutually antagonistic governments everywhere," believes coverage of the war is imperative:"I am in consultation with my editors on the subject. We think it a very promising little war. A microcosm you might say of world drama. We propose to give it fullest publicity. We shall have our naval, military and air experts, our squad of photographers, our colour reporters, covering the war from every angle and on every front."Through the influence of Mrs. Algernon Stitch, Lord Copper soon identifies John Courteney Booth, a best selling popular author, as the right man to cover the war in Ishmaelia. Neither Lord Copper nor his inscrutable editorial staff, however, is especially well read or familiar with the current socially respectable literati. Amidst the confusion, Mr. Salter, the foreign editor, mistakenly identifies William Booth, country bumpkin and staff writer for the Beast, as the "Booth" to whom Lord Copper was referring:"At the back of the paper, ignominiously sandwiched between Pip and Pop, the Bedtime Pets, and the recipe for a dish named `Waffle Scramble,' lay the bi-weekly column devoted to nature: --Lush Places. Edited by William Boot, Countryman." `Do you suppose that's the right one?' "" `Sure of it. The Prime Minister is nuts on rural England.' "" `He's supposed to have a particularly high-class style: `Feather-footed through the plashy fen passes the questing vole' . . . would that be it?' "" `Yes,' said the Managing Editor. That must be good style. At least it doesn't sound like anything else to me.' "Thus, William Boot, Countryman, soon finds himself on his way to Ishmaelia to cover the civil war for the Beast. Boot hooks up with an experienced wire reporter named Corker along the way. Corker teachers Boot the ins and outs of covering the war, a war in which reportage comes from little more than the imagination of the journalists sent to cover it and the editorial policies of their papers. The real nature of the war correspondent's profession is suggested when Boot and Corker go to the Ishmaelia Press Bureau to obtain their cre

A masterpiece of comic writing

A lot of books complain about the world, but here's a book that knows that there's a difference between what actually goes on in the world and what gets reported as news, and that the news is only as good as the people that report it. Inspired by his own experience as a foreign correspondent, Evelyn Waugh's "Scoop" is partly a satire of journalism, partly a spy story with a well-crafted plot, and totally a masterpiece of comic writing. Civil war is brewing in a fictitious African country called Ishmaelia. In England, a successful novelist named John Courteney Boot would like to be sent there as a foreign correspondent/spy, so he gets a friend to pull some strings with the owner of a London newspaper called the Beast, a paper which "stands for strong mutually antagonistic governments everywhere." The paper's owner, Lord Copper, has never heard of Boot, but accedes to the request and has his Foreign Editor, Mr. Salter, set up the engagement. Salter mistakenly taps John's less famous, less talented cousin William Boot, who writes a dippy nature column for the Beast, to be the foreign correspondent in Ishmaelia. So off William goes, a large assortment of emergency equipment for the tropics in tow, including a collapsible canoe. When William gets to Ishmaelia, he encounters several journalists from newspapers all over the world who also are looking for the big scoop on the war. The problem is that nobody knows what's going on, as there is no palpable unrest, and the country's government is an institution of buffoonery. The events in Ishmaelia are reminiscent of the circus-like atmosphere of Joseph Heller's "Catch-22." While the rest of the journalists take off to the country's interior on a red herring, William stays behind in the capital and meets a man who is at the center of the country's political intrigue and lets William in on exclusive information. William manages to turn in the big story and becomes a journalistic hero back in England.Lovers of good prose will find much to savor in "Scoop"; practically every sentence is a gem of dry British wit. Waugh is comparable with P.G. Wodehouse in his flair for comic invention, and indeed William Boot is a protagonist worthy of Wodehouse -- a hapless but likeable dim bulb who triumphs through dumb luck.