Brideshead Revisited TV Tie in

by Evelyn Waugh

Book Overview

Selected by Modern Library as one of the 100 best novels of the century and called Evelyn Waugh's finest achievement by the New York Times, Brideshead Revisited is a stunning exploration of desire,... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0140059156
• ISBN13: 9780140059151
• Release Date: January 1981
• Publisher: Penguin UK
• Length: 400 Pages
• Weight: 0.74 lbs.

Customer Reviews

Literary genius!

I had forgotten how beautiful and well written the classics are. Stimulating reading without the four letter words and a plot convincingly mastered from beginning to end. I have to read a few more to keep my mind energized!

Always Worth Revisiting

The purchase of Brideshead Revisited is one of sure investments in your library. You will revisit it very often because it is one of the books that keep you in their thrall forever. Actually, I have a copy in my desk in the office and pick it up to read a few pages when my students are late for meeting. This is a book which can be read in many ways - most of which open up a new perspective on its contents and some of which may help you understand yourself and those you choose to share it with. It may be read as a Christian treatise (Waugh took this quite seriously) and a memoir of studies at Oxford in the 1920s. A story of a misplaced homosexual affection and story of decline of British aristocracy. Whichever way you choose you will not be disappointed.

"Where can we hide in fair weather, we orphans of the storm?"

Published in 1945, this novel, which Waugh himself sometimes referred to as his "magnum opus," was originally entitled "Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder." The subtitle is important, as it casts light on the themes--the sacred grace and love from God, especially as interpreted by the Catholic church, vs. the secular or profane love as seen in sex and romantic relationships. The tension between these two views of love--and the concept of "sin"--underlie all the action which takes place during the twenty years of the novel and its flashbacks. When the novel opens at the end of World War II, Capt. Charles Ryder and his troops, looking for a billet, have just arrived at Brideshead, the now-dilapidated family castle belonging to Lord Marchmain, a place where Charles Ryder stayed for an extended period just after World War I, the home of his best friend from Oxford, Lord Sebastian Flyte. The story of his relationship with Sebastian, a man who has rejected the Catholicism imposed on him by his devout mother, occupies the first part of the book. Sebastian, an odd person who carries his teddy bear Aloysius everywhere he goes, tries to escape his upbringing and religious obligations through alcohol. Charles feels responsible for Sebastian's welfare, and though there is no mention of any homosexual relationship, Charles does say that it is this relationship which first teaches him about the depths of love. The second part begins when Charles separates from the Flytes and his own family and goes to Paris to study painting. An architectural painter, Charles marries and has a family over the next years. A chance meeting on shipboard with Julia, Sebastian's married sister, brings him back into the circle of the Flyte family with all their religious challenges. Three of the four Flyte children have tried to escape their religious backgrounds, and this part of the novel traces the extent to which they have or have not succeeded in finding peace in the secular world. "No one is ever holy without suffering," he believes. Dealing with religious and secular love, Heaven and Hell, the concepts of sin and judgment, and the guilt and punishments one imposes on oneself, the novel also illustrates the changes in British society after World War II. The role of the aristocracy is less important, the middle class is rising, and in the aftermath of war, all are searching for values. A full novel with characters who actively search for philosophical or religious meaning while they also search for romantic love, Brideshead Revisited is complex and thoughtfully constructed, an intellectual novel filled with personal and family tragedies--and, some would say, their triumphs. n Mary Whipple

Classic--Waugh's masterpiece

Short & sweet because other reviewers have provided wonderful descriptions already: reading such a book as this is an education in itself. Brideshead is a classic novel by a genuine master of English prose. Well-worth reading not once, but many times, to understand the depth of the story itself as well as appreciate Waugh's obvious mastery of language. Also highly recommended is Mortimer's adaptation of the book as a mini-series starring Laurence Olivier, John Gielgud, Anthony Andrews and Jeremy Irons. It is the definitive Brideshead on film, from the opening lines spoken by Jeremy Irons (as usual, his speaking voice is flawless) to the final scene of Charles in Brideshead chapel during WWII where Charles prays "an ancient prayer, newly learned." (There are some reviewers who've given it a low rating based on their dislike of the underlying theme of the book. Evelyn Waugh was a convert to Catholicism and his novel revolves around the characters' wandering away but ultimately back again, to faith: for the Flyte family, it is a return to their heritage (two of the most moving scenes are Lord Marchmain's death-bed conversion and Julia's painful but utterly noble decision), and for Charles Ryder (not "Simon" as a one-star critic mistakenly called him! Have you read the book, sir?), it is a newly found conviction. Hence, Book III's title "A Twitch upon the Thread" (quoting Chesterton), the thread referring to the fine, but strong pull of the Catholic faith over these individuals. If this is the book's only 'flaw', as some assert it to be, perhaps this line from a Capra film will help: for those who believe, no explanation is necessary; for those who do not, no explanation is possible. Agnostic, atheist or believer, the workings of grace is a mysterious thing.)

Like Reading It for the First Time

I had a friend who made it a point to read "Brideshead Revisited" once a year without fail. She considered it the finest book ever written. While I might quarrel with that hyperbole, I do in fact list it in my own personal top ten. I, too, re-read it, in my case, every few years. And of course I was riveted to the brilliant BBC production starring Jeremy Irons as Charles Ryder.Imagine my delight, then, when I found this unabridged reading by Irons himself! My delight was rewarded. Irons' perfect reading of this book opened up a whole new world for me. This time, I heard and felt the absolute poetry of Waugh's words--his ability to take his reader from sultry ... summertime to the slums of the Casbah to a storm at sea that is the perfect metaphor for the turmoil to come. Waugh never wasted a word. Never said more than he had to say. Never helped the reader by sugarcoating the story. And the result was breathtaking.Maybe because I was listening this time rather than reading, I paid much more attention this time to the book's main theme, religion versus humanity. Can one exist without the other? Does one destroy the other? How far can one stray when bound by the "invisible thread"? Waugh's very personal and moving tale of upper-class Catholics in a Protestant country is a brilliant affirmation of faith, and at the same time, a bitter acknowledgement of the price that faith can exact.I cannot say enough about this recording, which brings all the best of Waugh to the fore even more so than the written word.

An Often Misunderstood Classic of 20th Century Literature

Like most great novels, BRIDESHEAD REVISITED is about a great many things--not the least of which is the decline of English aristocracy. But at center, Evelyn Waugh's greatest novel (and one of his few non-satirical works) is about religious faith, and how that faith continues to operate in the lives of even those who seem to reject it, and how that faith supports even those who falter badly in it.The story is complex. It is told in the first person by narrator Charles Ryder, who develops a close and possibly homoerotic relationship with artistocrat Sebastian Flyte while the two are students at Oxford. Seduced by the glamor of Flyte's way of life and the beauty of his ancestrial home at Brideshead, Ryder becomes deeply involved with Flyte's family as well--a Roman Catholic family in which the various members either use their religion to manipulate others or actively rebel against it. With the passage of time, Sebastian's drinking expands into alcholism--which appears to be fueled by his guilt at rejecting the church, a rejection which may be based on his own uncertain sexuality. Ryder consequently transfers his affections to Sebastian's sister Julia--but again religion influences their relationship: Julia has made an unfortunate marriage, and although she is willing to engage in an affair with Ryder, she may not be willing to divorce her husband, an act that will cast her completely outside the bounds of her faith.The characters involved in the story are often extremely charming, but they are not necessarily admirable, and the passage of time in the novel nibbles away at their charm in such a way as to expose their flaws; even the narrator, Charles Ryder, gradually emerges as a somewhat second-rate person of dubious integrity. Even so, there remains a strange element of hope in the novel, a sense of God's grace and mercy even in the face of deliberate affront. Poetically written with considerable beauty and a sense of lost innocence that haunts the reader, BRIDESHEAD REVISITED is a too-often misinterpreted and misunderstood book that demands a thoughtful reading to get down into the marrow of its thematic bones. Powerful, beautiful, memorable--a book to read and enjoy again and again. Strongly recommended.