Novelist's Essential Guide to Creating Plot

by J. Madison Davis

This book covers the most popular element among our fiction-writing audience: plot. Appealing to novelists of any stripe. The Novelist's Essential Guide to Creating Plot allows readers to focus on and... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0898799848
• ISBN13: 9780898799842
• Release Date: January 2000
• Publisher: Writer's Digest Books
• Length: 184 Pages
• Weight: 0.52 lbs.
• Dimensions: 0.6" x 5.0" x 8.0"

Customer Reviews

No such thing as an original plot?!

J. Madison Davis argues that of all the story elements plot is the most important. Some writers might insist that characterization or theme would trump plot. Davis would answer that we can't know these characters until they actually do or say something. "We cannot know a character without that character undergoing a test, that test is the plot." Much of what Davis says about plot is basic, but even accomplished writers need reminders, especially those that are blocked. One very helpful reminder is that plot is chronological. Even if your story starts in medias res (in the middle) the writer must know the beginning. Davis also stresses a causal chain: problem leads to solution, which leads to another problem, which leads to another solution until we finally reach climax where the story problem is solved. The intensity should also build, the main character's choices becoming fewer and fewer until he must choose at the climax. Davis also addresses such technical devices as story frames, which can help with suspension of disbelief. In CONNECTICUT YANKEE, for instance, Mark Twain has his main character get hit in the head before he travels back in time to Camelot. A bone of contention that Davis examines is the plot outline. Some authors worry that an outline may hamper spontaneity but Davis likes them because they give an overall view of the entire plot and help point out problem areas. Another helpful hint is the superiority of implication to outright statement. Keep back story to a minimum. Davis recommends music playing on the radio, news announcements, or headlines from a newspaper which can help to imply setting while characters are engaged in action. In the last chapter Davis addresses "Ready-Made" plots. It is his contention that there is no such thing as an original plot. As a matter of fact, he whittles them down to two: someone goes on a journey, and a stranger comes to town. Each of us, however, brings an original personality and perspective to the plot and that's where the real writing begins.

One of the best guides for plotting novels

I loved this book! I'm a multi-published author and a freelance editor. I've read a lot of how-to writing books and J. Madison Davis' book is one of the few that remains on my keeper shelf. I have a number of pages permanently marked for reference. It's a wonderful resource for any writer who wants to strengthen his plotting skills.

Novel Writing Guide Reads Like a Novel

This book is short and sweet. Practically every page points out a useful tip for creating successful plots, and the book remains insightful and entertaining throughout its tour of plot beginnings, middles, and endings. The author seems quite familiar with the habits of beginning writers and knows exactly how to get a point across in as few words as possible. I love the book and am recommending it to all the writers I know.

Aristotle would have been proud

If you're looking for a fast-paced, interesting book to improve your writing, this it. Like former University of Oklahoma professors Jack Bickham and Dwight Swain, Davis offers writers of all skill levels and genres a truly helpful blueprint for creating plot and building an interesting story around it. Enjoy.