What to Listen For in Jazz

by Barry Kernfeld and Barry Kernfield

Book Overview

Exhilarating and exciting, subtle and profound--jazz requires knowledge and understanding to be truly appreciated. Barry Kernfeld here provides a thorough, learned, and accessible introduction to... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0300072597
• Release Date: October 1997
• Publisher: Yale University Press
• Length: 294 Pages
• Weight: 0.90 lbs.
• Dimensions: 0.8" x 6.2" x 9.2"

Customer Reviews

An excellent introduction

Mr Kernfield is definitely an authority on jazz. I also own the "New grove Dictionary of Jazz", which he edited. "What to listen for in jazz" is well-written, though it can be hard going if you're not familiar with all the musical jargon.The book is accompanied by a CD containing a rich selection of songs, covering many decades and many styles. Unfortuantely, some songs are excerpts (for example John Coltrane's Ascension). Excerpts of the notation of the songs are printed in the book. For example, I found enough about Weather Report's Birdland to understand the structure of the song well enough for my purposes.I also found the book to be well organised. The chapters cover rhythm, forms, arrangement, composition, improvisation, sound and style. The appendices feature a discography and biographical sketches of some musicians, and there is also a good index.If you read this book along with Aaron Copland's "What to listen for in music, you will not only learn heaps more about music, but you will enjoy your music heaps more.

Well-written and practical

If, like me, you know a little about Jazz (but not much), and you're looking for a way to broaden your knowledge, this is the book you want. Kernfeld focuses on the basics. He uses 22 landmark recordings (provided on the accompanying CD)to illustrate the points he makes. The six chapters of the book deal with rhythm, forms, arrangement, composition, improvisation and sound. In the course of reading the book, you revisit the same composition several times, each time focusing on a different excerpt from it. When Kernfeld talks about backbeats, syncopation and blue notes, he explains what he means! This book is a must-have! (A useful accompaniment to this book -though not essential- is "How to read music" by Terry Burrows, another book/cd combination.)Note: The accompanying CD features tracks by Miles Davis ('round midnight), Billy Holiday ( georgia on my mind), Louis Armstrong (hotter than that), Duke Ellington (ko-ko, trumpet no end), Jelly Roll Morton (black bottom stomp) and Thelonious Monk (misterioso). Others on the cd include Dizzy Gillespie, Weather report, Herbie Hancock, Sun Ra, Coleman Hawkins, Earl "Fatha" Hines and Charlie Mingus.