The Good Soldier (Dover Thrift Editions: Classic Novels)
Conditions
An apparently unread copy in perfect condition.
Formats
Conditions
An apparently unread copy in perfect condition.
Conditions
An apparently unread copy in perfect condition.
Formats
Conditions
An apparently unread copy in perfect condition.
Leonora and Edward Ashburnham were "good people" from England, as John Dowell, the narrator of this tale, explains: and Dowell and his wife, Florence -- leisured Americans of solid stock -- were, like their English friends, a "model couple."
For a dozen years, the foursome cultivated and maintained a friendship reinforced with yearly meetings at a fashionable German health resort, which Dowell visited with his "ailing" wife and the Asburnhams traveled to because of Edward's "heart problems." Their marriages seemed exemplary studies of permanence, stability, and tranquility. That is, until the day Dowell learned that for the previous nine years his wife had been the mistress of his friend Captain Ashburnham, the apparently honorable "good soldier."
A provocative study of deception and betrayal and of convention and desire, The Good Soldier was also formally innovative. Along with Ford's Parade's End tetralogy, this powerful novel -- first published in 1915 -- has earned him a reputation as one of the major writers of the 20th century.
This novel broke new ground when it was written, something in these jaded days that is almost impossible to do. Ford created an unreliable narrator and also wrote about the complex inner workings of relationships, an area of darkness that will always be immune from full enlightenment. His characters also deceive themselves as well as significant others, and yet are always in pursuit of the perfect appearance. The subtlety with which Ford has woven this tapestry makes you think twice and then three times about who his people are and what they want. Unbridled lust also rides through the book, but is forever reigned in by double standards and self-torturing conscience. Although the book requires a patient reader so that it can bloom, its payoff stays with you, and its sharp observations and lack of sentiment make you realize what a brilliant piece of art it is. As such it is not subject to becoming dated or stale, a true test of its merit. I recommend it to anyone looking for a great work.
I was in a bookstore and picked a copy of this novel up, and from the second I read what I later learned was a famous first sentence (and justifiably so)--"This is the saddest story I have ever heard"--I knew I had to read it. What is truly sad about the book is that the narrator has no conception of where the tragedy in the book lies. While he is articulate and seemingly insightful in his analysis of others, he remains blissfully unaware of his own enormously failings, both in morals and in character. It is indeed a very sad story, but the narrator leaves out the fact that he is quite possibly one of the most pathetic characters in all fiction.If one prefers one's narrators and ostensible heroes to be truly heroic and sympathetic, then this novel will not please. If one, however, can imagine enjoying a novel written with J. Alfred Prufrock as the narrator and central character, then one is in a position to appreciate THE GOOD SOLDIER.The novel is not a page-turner. If you read this novel quickly, you have read it wrongly. The beauty of the book is the exquisite prose, and should be read slowly, savoring each sentence and each sentiment. There is a dreamlike (one could say nightmarish) quality to the book, and one will most enjoy it by allowing oneself to become entranced by the atmospheres summoned up. If you are willing to take the novel on its own terms, with its unheroic and unadmirable characters, with its pathetic elements and situations, and its subtle psychological observations, then there will be few reading experiences that will match THE GOOD SOLDIER. One of the most remarkable novels of the past century. But if you only like novels where there is a definite hero and admirable characters, you probably wouldn't enjoy this very much.
One of the greatest examples of the spoken-word novel, The Good Soldier succeeds where authors as great as Conrad have failed. Our narrator does not tell a straight, linear story. No. He forgets things, comes back to them later, revives a subject you thought dead and meaningless only to shed new light on it and make it important.Perhaps the greatest effect the book has is the after-taste. When reading the book, I found it slow and boring. Once I set it down, though, I couldn't stop thinking about it. I had to read it again. And once I began again, I found myself reading it slowly once more, though not from boredom, but rather because I wanted to savor it and take it all in.I encourage anyone who has begun this book only to find themselves tired of it rather quickly to stick with it. You'll be glad you did. You'll find yourself buying copies for friends to read, as I do. This book truly gets under your skin.