Slayground

by Richard Stark

Book Overview

The hunter becomes prey, as a heist goes sour and Parker finds himself trapped in a shuttered amusement park, besieged by a bevy of local mobsters. There are no exits from Fun Island. Outnumbered and... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0850315514
• ISBN13: 9780850315516
• Release Date: January 1984
• Publisher: Allison Busby
• Length: 160 Pages
• Weight: 0.70 lbs.

Customer Reviews

If Lee Marvin had starred in Beverly Hills Cop 3

Beverly Hills Cop 3 is also known as "Die Hard in an amusement park," due to the climactic battle in which Eddie Murphy, holed up in a deserted amusement park, takes on a tide of villains. I don't know if the filmmakers realized it, but this is the same plot as Richard Stark's Slayground, published in 1971.The narrative is as linear as an old pulp novel. The book opens with an armored truck robbery that quickly goes wrong. Parker, alone, escapes with a satchel of money by climbing the fence of a nearby amusement park, which is closed for the winter. Parker walks right into a meeting between a local mob boss and a few crooked cops. Parker escapes into the park, only to find there's no other way out. And he can't just leave, because he knows those mobsters out there will be waiting for him. He also knows that soon enough they'll realize he's the robber being mentioned in the news reports, the robber who has seventy grand on him. So Parker sets up as many traps as he can in the park. That night the mobsters come in after him, and what follows is a nail-biting thriller that would be fit for the screen, if not for its single-track mind and lack of subplot. It's survival of the fittest all the way, as Parker does whatever he can to [detour] anyone who comes after him, and escape with his life.The novel itself doesn't start out so linear, as first we follow Parker through his botched robbery, and then we go back to before the robbery, and meet each of the mobsters and crooked cops. Once these pleasantries are out of the way, it's straight-up action and adventure time. Parker is his usual cold, calculating, monosyllabic self, and the assortment of mobsters and cops after him are each well-drawn and memorable. There are also several reversals and surprises strewn through the plot, such as when Parker "lucks out" and kills the last person you'd expect him to. However, what at first seemed like a lucky break soon turns out to be Parker's misfortune.All in all, Slayground is an entertaining, quick read, but has apparently not yet been reprinted. I'd suggest finding a copy at your local library, instead of paying a fortune for a used edition.

Slayground Playground

This one is Super-Parker. I am in awe of Stark's (Donald Westlake) skills at placing the entire action in a closed-for-the-season amusement park with only one exit. Parker is trapped not only by crooked cops, but the bad guys as well. What a kaleidoscope of rides, color and strange machinery! Yet it is all aslant. Rather than crowds and summertime weather, it is empty, cold and bleak. The tension never lets up. Will the bad guys find Parker's stash? Will they corner him? Can he pull another trick out of his bag? Will the scaffolding hold?I am always baffled when people complain of lack of characterization in Parker novels. To me, the beauty is being right inside Parker's head when he meticulously plans his heists, revenge, and plans. True, we never read of honor, sensitivity, introspection, and love for the very good reason Parker possesses none of these traits. I always think Parker would be a totally successful CEO of a giant corporation if he had taken up another line of work."Slayground" is vintage Parker, hard-boiled, violent and as perfectly crafted as a fine watch.

One of Stark's best Parker novels

After getting hooked on Stark's novels since the resurgence brought on with the awful Mel Gibson flick "Payback," I highly recommend that, if you can find this one, pick it up! "Slayground" is my favorite Stark novel. If you've ever seen the films "Die Hard" or even "Reservoir Dogs," you'll note that "Slayground" was an obvious influence. This is definitely a fun book, as the other reviewer stated, but what set "Slayground" apart from the rest for me was the way he handled plotting. Anyone studying to write mystery novels where plot is a key ingredient would benefit from Stark's example, especially in this novel. My only criticism would be that which I have of the rest of the Parker novels--too short on characterization. Then again, that's also the allure, isn't it?Anyway, a brief synopsis: Parker robs an armored car and hides from police in an amusement park that's shut down for the winter, but stumbles upon a deal between some Mob-types and some crooked cops. Both cops and crooks go looking for Parker in a place where he's trapped.Another good Stark book, if you can find it, is "The Green Eagle Score."