Roots: The Saga of an American Family
Conditions
A read copy, but remains in excellent condition.
Formats
Conditions
A read copy, but remains in excellent condition.
Conditions
A read copy, but remains in excellent condition.
Formats
Conditions
A read copy, but remains in excellent condition.
I watched the original series back in the early to mid 70's and just now have read the book. I found myself consumed with the the characters and could only imagine the pain, sorrow, and the feeling of struggling to remember where their ROOTS began. I loved Chicken George. He had a vision that one day he and his family would one day be free. He truly was a modern day Moses of his time.
Really hoping that the company gets back with me to fix this situation because I'm not happy that they thought it was okay to send me a book with mold on it when I selected the very good condition option.
One man's journey through the lives of his predecessors. Should be read by all Americans.
I with people would categorize this as fiction as even Alex Haley admitted this is not a true historic event. These were stories passed down from this family and he actually classified this as Faction, part fact and part fiction,thus not historical biography.
loved the whole book but have to admit kunta kinte and chicken george have the best stories, but overall its just such an easy book to get completely lost in.
In 688 pages, Alex Haley has captured in his history of one family, the history of an entire race of people whose names and identities were stolen from them. It's hard to say if this book is fiction, history or biography, since it reads so much like all three. Haley found sizeable gaps in his efforts to trace his family roots, and of necessity had to fill in the blanks from his own imagination, but it reads so convincingly that none of the fictionalized parts detract from the overall story. Probably millions of American blacks, I among them, have wondered where we came from and tried to trace our family lines, only to inevitably run up against a brick wall. (I managed to trace my own family reliably back to my great-great-great-grandmother, who arrived here at the end of the 18th century on a slave ship, but I'll never know her tribe or her nationality.) Haley begins his story fittingly in a small African village, where a 17 year old boy named Kunta Kinte is abducted by slave traders after venturing out of his village alone. His harrowing voyage to America is told in some 50 of the most gut-wrenching pages ever written. It's been reliably estimated that the death rate on the slave ships was between 35 and 40%; translated into numbers, that means that besides the 14 million Africans who were dragged, more dead than alive, onto the shores of the Americas, another 11 million died en route. Sold into slavery to a Virginia planter, Kunta lives out his life in bondage, struggling to hold onto the few remnant of his African identity. Haley is a great storyteller and the narrative sweeps through succeeding five generations, bringing his subjects vividly to life, and it all reads like a great novel until we are brought up short by his own arrival on the scene a century and a half after his ancestor's birth, and then it hits us like a knockout punch: forget the novel, this is real. This is Haley's family and every black family in America that has struggled to survive and has not only survived, but has succeeded despite enormous odds. The most mind-blowing part of the book, for this reader, was when Haley returned to his ancestor's native Gambian village of Juffure and heard his own family history narrated by the Griot. Haley has written, in his history of one family, the story of every family in America that traces its roots back to Africa from the 16th through the early 19th centuries. In the words of old African-American saying, which has relevance for everyone, you can't know where you're going, if you don't know where you've been. Haley shows us, in vivid and at times excruciating detail, where we've been, and what we've come through to be who we are.

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