River of Shadows: Eadweard Muybridge and the Technological Wild West

by Rebecca Solnit

Book Overview

A New York Times Notable Book

Winner of the National Book Critics Circle Award for Criticism, The Mark Lynton History Prize, and the Sally Hacker Prize for the History of Technology

"A panoramic vision of cultural change" --The New York Times

Through the story of the pioneering photographer Eadweard Muybridge, the author of Orwell's Roses explores what it was about California in the late 19th-century...

• Format: Paperback
• Language: English
• ISBN: 0142004103
• ISBN13: 9780142004104
• Release Date: March 2004
• Publisher: Penguin Books
• Length: 320 Pages
• Weight: 0.50 lbs.
• Dimensions: 0.7" x 5.4" x 8.3"
• Age Range: 18 years and up
• Grade Range: Postsecondary and higher

Customer Reviews

Imagining the 19th century

Rebecca Solnit achieves two things in this book. First, she gives us a vivid portrait of a pioneer photographer, despite the paucity of biographical detail available to her, and spells out the significance of his achievement. Secondly, she evokes the perceptual universe of the 19th century. Solnit encourages us to imagine what it must have been like to see for the first time that which is too fast for the eye to discern (such as the pattern of water droplets in Muybridge's motion studies); or to travel for the first time at a speed that removes the traveller from her surroundings (train travel); or to receive news of an event as it happens (the telegraphic announcement of the transcontinental railroad link). A suggestion for Ms Solnit (or her publisher/agent): how about taking on a history of noise? Between Edison's mechanical reproduction of sound, the internal combustion engine and industry, I'd wager that our age is just as different acoustically from the early 19th century as it is visually.

More than just the photos

Like many people, I had seen Muybridge's motion studies before, but had never considered the man behind the pictures. Solnit presents a compelling portrait of a man who is at the same time probably certifiably nuts, a genius years ahead of his time, a lousy husband and father, and a murderer. As Solnit points out, his groundbreaking work was really the basis for motion pictures and much of other technology we take for granted today.I took this book with me on an overnight flight to Brazil and compulsively read it cover to cover while I should have been sleeping.

Much more than Muybridge

I wasn't especially interested in Muybridge, but this book is a good deal more than that. Though not stinting on detail, Solnit's writing and intellectual abilities provide a grasp of the transformations of time and space that occurred in the past century and a half; she addresses, and conquers, the challenges of making another age vivid and profound as has no book I've yet encountered. "She writes like an angel," one critic said, and it's quite true; through her supple and sensitive prose she reflects on Muybridge's life and times, examining them from every angle, and in so doing gives a clinic in how history of any kind may be most richly approached.

Annihilation of time and other concepts

Rebecca Solnit has created a provocative masterpiece! This is not a simple biography about one of the great innovators of the field of photography. It is a richly, intellectually layered work that explores the big ideas of time and our relationship to it; the fusion of politics, science and industry in the 19th century; and links today's Silicon West to what we call the Wild West of our past. She possesses exceptional writing skills. This is book well worth reading by those seeking inspiration to invent the future, or for those who wish insight into the concept of progress.

The Father of the Moving Image

Everyone knows about the inventions of such men as Edison and Marconi, the sorts of inventions that truly brought us to the modern age. It sounds like a stretch to claim that the man who definitively answered the question of whether a trotting horse ever completely leaves the ground also changed the world. However, Rebecca Solnit has written an original biography of the photographer Eadweard Muybridge, _River of Shadows: Eadweard Muybridge and the Technological Wild West_ (Viking) which centers on how Muybridge, by splitting motion into split-second bits, changed the nature of our perception of time and space in a way that brought us inevitably to Hollywood and to Silicon Valley. She writes, "Muybridge was a doorway, a pivot between that old world and ours, and to follow him is to follow the choices that got us here." As biography, the book is inevitably thin. Muybridge kept no journals and there are few letters, and details about his remarkable life are hard to come by; the basics, of course, are here. Solnit says, "Most of what is known about Muybridge makes him seem a hollow conduit for his work, with only a few vain remarks to personalize the prodigal accomplishments." Rather than biography, as a series of essays on the importance of his work, the book is original and fun.Muybridge's life and work are inextricably bound with the brand-new state of California, but he was born in 1830 over a family shop in England, in Kingston-upon-Thames. He lit out for San Francisco, where he worked as a bookseller. He made a name for himself in photography, however, which was a relatively new and demanding art. He was among the first to photograph the wilderness of Yosemite, using huge plates for images that are still dramatic. Muybridge stepped into fame with a commission from Leland Stanford, one of the famous robber barons who had made his fortune on the railways. Stanford had a hobby of raising race horses and he wanted to do it all as scientifically as possible. Some horsemen maintained that trotting horses always had at least one foot on the ground, while Stanford maintained that the horse became airborne in each stride; neither side had any way to demonstrate its position, for although one could stare at trotting horses eternally, the motion was simply too fast to make out. There is a legend that Stanford had a big bet on the issue, but Stanford was not a betting man, only one who wanted to raise and race horses scientifically. Muybridge had already had a commission to photograph Stanford's house and properties, and was asked to consider the problem of the trotting horse. Muybridge was instrumental in technological breakthroughs to make the famous series of photos happen, involving film and shutter speed, as well as the development of a way to trigger a set of cameras at just the right time. Solving the technology was only a minor part of his contribution; he went on to run the photographs together so that they became a loop of action