His first masterpiece is also evidence of a murder.
Or has spent years creating paintings that critics call skilled, controlled, and lifeless. By day, he repairs frames in a small Tel Aviv shop. By night, he struggles to create something that feels truly alive.
Then Tamar enters his studio.
She understands his work in a way no one else ever has. She sees the tenderness he keeps buried beneath layers of paint, and the darkness he refuses to name. But when Tamar prepares to leave, Or becomes terrified of losing the person who made him feel visible.
One irreversible act transforms his unfinished canvas into Last Light of Morning, a haunting painting unlike anything he has created before.
The art world is captivated. Curators compete to represent him. Collectors want to own the work. Critics call it alive.
But as Tamar's disappearance draws attention, a conservator discovers something disturbing hidden inside the painting's materials. The closer investigators come to the truth, the more Or must protect the secret that created his success.
And when another woman enters his studio, he is forced to confront the question he has avoided from the beginning:
Was the painting a miracle that can never be repeated, or has he finally discovered what his art requires?
Last Light of Morning is a dark literary psychological thriller about obsession, artistic ambition, guilt, and the terrible distance between creating beauty and possessing what inspired it.