You Hear Me?: Poems and Writing by Teenage Boys

by Nina Nickles

Book Overview

"You Hear Me is a fresh approach to hearing what today's youths have to say, and it's refreshing that the words come straight from them." -- School Library Journal

In a powerful collection of more than seventy uncensored poems and essays, more than fifty teenage boys from across the country explore their many-layered concerns: identity, love, envy, gratitude, sex, anger, competition, fear, hope. Here, unadorned and without...

• Format: Paperback
• Language: English
• ISBN: 076361159X
• ISBN13: 9780763611590
• Release Date: May 2001
• Publisher: Candlewick Press (MA)
• Length: 128 Pages
• Weight: 0.35 lbs.
• Dimensions: 0.3" x 5.0" x 8.0"
• Age Range: 12 years and up
• Grade Range: Grade 7 and higher

Customer Reviews

Honest

This book is a genuine, heartfelt, and very honest portrait of teenagers in urban America. There are those, no doubt, who will be offended by its explicit language and subject matter. Nevertheless, explicit language is one of the hallmarks of teenagers grappling with issues of sexuality, drug use, disability, and a myriad of complex social relationships. This book will not expose teenagers to issues with which they are unfamiliar - despite its language, it will not taint innocent minds. Rather, it will model a healthy way (writing poetry) to grapple with the questions most teenagers face as they navigate the difficult path to adulthood.

Poetry for the Teenage Boy!

This poetry book edited by Betsey Franco is an excellent book.The poetry is written by teenage boys.The writing is freeverse.The boys tell their emotions which consists of sad,happy,and hurt feelings. They write about things that are important to them like , how they were abused mentally and phisically, how they didn't have girlfriends,and about secrets they never told any one. Over all it was a five star book.I liked this book because I could relate to it.

I don't normally read poetry, but this was fabulous

There are some incredibly gifted writers included in this book. Quantedius Hall, Shysuaune Taylor, Todd VanDerWerff, Stephan Johnson, Timothy Arevalo - WOW! I hope they continue to write and publish their work, because many people have been touched by their words.

The Best I've Seen Yet

I work with an online magazine with teenage writing as the primary content. When I got my hands on a copy of this book, I thought it was right up my alley, and it was. I never expected the quality and scope of the selections. Some of the poetry is so unbelievably striking--let's just say that this book is not just for teens. Readers of many ages will appreciate it. I really loved it, and I'm even considering reviewing it for my zine.

activism w/ heart and soul

although i acted as a consultant for this book and thus had some familiarity with its contents before publication, i was pretty unprepared for how beautiful and effective the finished product was when it arrived in the mail. It's a jewel, from its restrained and lyrical cover photo to its soulful content --poems, stories and essays by teenage boys from around the country. My personal faves include Fred Brown's "The Bus Stop," a choppy, minimalist anecdote about a neighborhood domestic altercation with a knockout last line worthy of Hemingway or Raymond Carver; Rigo Landin's "Ode to My Hair Tail," in which a carefully-tended object of personal adornment becomes, in the final stanza, a spiritual offering; Kenny Weiss's "I Hate School," a brilliant all-out assault on verbal decorum and the social rules it helps to maintain; Seth Chappell's "Does My Mother Look Like This?", a wistfully speculative love-poem to THE most important missing person in the world; and countless others. This book is an activist intervention into all the current talk by "experts" *about* boys; it short-circuits all the static of debate by bringing boys' creativity and soulfulness to the fore and letting them speak for themselves. Already the book is being used in group-home workshops to inspire boys in serious need of speaking and being heard; I can't think of a better affirmation of its power than this, its use as a tool against despair and creative waste. Few books achieve such a perfect harmony of artistic and social value. This book is where it's at, and I'm happy to have had even a small role in its development. (If you think this review represents a conflict of interest, check out the book and judge for yourself!)