Wimbledon Green: The Greatest Comic Book Collector in the World

by Seth

Book Overview

From the critically acclaimed cartoonist of Clyde Fans and It's A Good Life comes a humorous graphic novel on the obsession of comic-book collecting.

Taking a break from the serialization of his saga Clyde Fans and the design of The Complete Peanuts, critically acclaimed cartoonist and illustrator Seth creates a farcical world of the people whose passion lies in the need to own comic books and only in pristine, mint...

• Format: Hardcover
• Language: English
• ISBN: 1896597939
• ISBN13: 9781896597935
• Release Date: December 2005
• Publisher: Drawn & Quarterly
• Length: 128 Pages
• Weight: 0.88 lbs.
• Dimensions: 0.8" x 6.3" x 8.2"

Customer Reviews

Charming yet slightly unsatisfying

On the back cover of Wimbledon Green is a disposable band of paper with the `Praise For' section printed on it. Written on the bottom is the following... "The artist requests that this band be disposed of upon purchase". I found this intriguing and I'll return to this in a moment. Wimbledon Green isn't so much a story as an analysis of the enigmatic character Wimbledon Green, "The Greatest Comic Book Collector" in the World. Seth creates an imaginary world with a menagerie of oddball comic collectors who discuss Mr. Green, his mysterious past, his quirky personality and his abrupt disappearance. The book is filled with short strips, some less than a page and other spanning a half dozen or more. Most are from the view of other collectors. There are some who loath Wimbledon, others who admire him and some who are just jealous of his collection. A few things in the book caught my attention. First, was a collector making fun of another for taking on the singular name `Jonah'. I assume this was a bit of self deprecating humor from the writer/artist known only as `Seth'. The second was an imaginary comic artist putting out drawings unworthy of his talent by skimping on the backgrounds. The irony of this one is that most of the frames in Wimbledon Green have sparse backgrounds and in many case none at all which is a shame because Seth is clearly capable of some wonderful landscapes and city scenes. I was initially drawn to Seth thanks to his beautiful artwork with its clean lines, thick borders and retro feel. It reminded me somewhat of C.C. Beck. My issue with Wimbledon Green is that the bulk of the book consists of much more simplistic drawings. In fact the best artwork in the book is on the inner front and back covers which display some of the made up comics from Wimbledon Green including the `Green Ghost' and `Fine and Dandy'. The interior artwork consists of small one to two inch panels that often contain nothing more than a simple portrait drawing with a blank background. It was disappointing because I wanted more. In the end it's clear that Seth considers himself more than just a comic illustrator/writer. Seth is an artist who takes his craft serious. My suspicion is that the band on the back cover is a compromise between the publisher who wanted a `Praise For' section and Seth who probably felt it marred the aesthetic beauty of the book hence the message to dispose of it after purchasing. From the quality binding to the heavy paper stock this is clearly a labor of love. It's kind of surprising then that the colors on the edges of the cover wear off so easily from just a single reading of the book. I admire Seth for trying to create something with a higher level of artistic flair. It's not a complete success but at the cover price it's worth the purchase if for nothing else than its unique charm.

Very Entertaining but Insubstantial

This is a fun read, especially if you like non-linear narratives and multiple points of view. The setting, the sometimes-vicious world of comic book collecting, is appealing. The early part of the book poses many questions: Who is Wimbledon Green? What was in the Wilbur R. Webb collection? Why was the first auction cancelled? Where did Green's vast wealth come from? Does Green Ghost #1 exist? etc, etc. All these mysteries are entertaining, but they aren't developed very far. Most are either forgotten, or end with rather everyday solutions. The book changes gears midway with a lengthy chase story. It's well done, but doesn't seem to fit with the multiple voices / flashback style around it. The character of Wimbledon Green changes -- early on he seems a cold-blooded collector, but by the final story, he's much more sympathetic. This is one of the strongest parts of the book, because of its emotional content.

Seth says it's "Good Enough"

Seth dismisses this book on its own cover: "A story from the sketchbook of the cartoonist `Seth.'" In other words: this isn't a full-blown graphic novel, just a little sketchy thing or whatever. And again, more specifically, in the foreward: "This book was created on a lark. Actually, it was never even intended to be a book at all - merely an exercise in my sketchbooks...the drawing is poor, the lettering shoddy, the page compositions and storytelling perfunctory." My high school English teacher told her class that Shakespeare didn't give a hoot about his plays - it was the sonnets he thought would win him immortality. I'm not sure if that's true (I've never heard or seen such a thing said about Shakespeare before or since, and that's after spending four years as an English major in college), but it rings true. Sometimes the things that an artist dashes off with his/her distaff hand can turn out to be more interesting than the things he or she labors over - maybe because they weren't labored over. I'm not willing to go quite that far with Wimbledon Green. I still think It's a Good Life, If You Don't Weaken and (possibly) Clyde Fans are more "important" works. But this one is better than Seth would have you believe, in part because it's just straight-up refreshing to see one of our most dour and fastidious cartoonists cutting loose, and being, mostly, silly. Okay: there is an attempt to darken and deepen Wimbledon's life story, late in the book, but, while that moment doesn't exactly fail, as a moment, it does fail to overshadow the light-hearted, entertaining spirit of the work overall. Besides: the drawing's great, the lettering's legible, and the storytelling works just fine. Seth's "good enough" is far better than most any other cartoonist's best efforts. (the above is excerpted from my longer review at graphicnovelreview.com)

A Wonderful Tale - Seth's Best Work!

Seth has always had the ability to capture the everyday lives of people in a wonderful, nostalgic, and frequently amusing style. With "Wimbledon Green", Seth has brought his talents to new heights -- it's a truly funny, original look at the world of comic book collectors interwoven with a very intriguing mystery. Like Dan Clowes often does, Seth tells the story through a series of independent strips that, over the course of the book, reveal the full story. And like Dan Clowes, Seth accomplishes that rare thing in satire -- he renders his characters fondly, but you can tell he's also skewering every aspect of the highly irritating and amusing world of comic book collectors. I eagerly await every new work by Seth (and as fans know, they don't come out all that frequently!). This was well worth the wait. It's the type of book you only want to read in snippets -- it's so good, you want it to last. And you don't want to wait another 3 years for Seth's next masterpiece!

Another Seth Classic

I had read about Wimbledon Green coming out and I have been eagerly awaiting it. I was not ready for what was inside. It is an understated masterwork. It deals with the life and times of Wimbledon Green, the Greatest Comic Book Collector in the World. His story is told from the many points of view including those of his friends and competitors. What really made it work for me was that Seth creates another world not unlike are own and it is a world I would love to visit. In this other world comic book collectors are a little like the heroes they collect, they spend their time flying around the world in autogyros and double crossing their enemies. It parodies and and the same time glorifies the passion that really drive collectors. The artwork is throughout the book is stunning with everything done in loose ink wash sketchbook style. The entire book was created in a scant 6 months and at 125 pages that is quite amazing. The design of the book is top notch with beautiful end papers and an embossed foil cover. But the thing that really stands out is how personal and intimate the entire book is. This gets back to the core of what comics should be, a place where stories are told and where the artwork serves those stories. And the stories in this book are ones worth reading over and over again.