The Transit of Venus

by Shirley Hazzard

Book Overview

"The Transit of Venus is one of the great English-language novels of the twentieth century." - The Paris Review

Finalist for the National Book Award
Winner of the National Book Critics' Circle Award

The award-winning, New York Times bestselling literary masterpiece of Shirley Hazzard--the story of two beautiful orphan sisters whose fates are as moving and wonderful, and yet as predestined, as the transits of...

• Format: Paperback
• Language: English
• ISBN: 0140107479
• ISBN13: 9780140107470
• Release Date: September 1990
• Publisher: Penguin Books
• Length: 352 Pages
• Weight: 0.55 lbs.
• Dimensions: 0.6" x 5.1" x 7.7"
• Age Range: 18 years and up
• Grade Range: Postsecondary and higher

Customer Reviews

A transit worth taking

So why on earth would anyone want to read The Transit of Venus? Some say the writing is pretentious: Supercalifragilisticexpialidocious. That word came to mind last year while I was reading Shirley Hazzard's 2003 National Book Award winner, The Great Fire. Yet I couldn't stop reading. Since I wound up loving that book, I decided to try this one, which won the National Book Critics Circle Award more than two decades ago (1980). Midway through my reading transit, on June 8, 2004, a Transit of Venus occurred, the tiny planet moving like a dot across our gigantic sun. (In 1769, James Cook set sail in the H.M.S. Endeavor to study a Transit of Venus and found Australia, hence the tie-in with this novel, which is primarily an Australian woman's transit through love and life.)Reading Shirley Hazzard is like climbing a mountain, agonizing over the rocks and rarified air during the long, arduous uphill climb. Struggle is not the same as suffer. Most modern books are downhill sloped, where the reader floats or speeds effortlessly toward a simplistic conclusion. A Hazzard novel is more vertically inclined, where one needs to stop on occasion to catch a breath, and then, when the climax comes, you are on a mountaintop, not the valley floor. It is not a transit intended for aliterates, much less illiterates. Hazzard might not be the author for you if you don't know, and don't care about, the meaning of words like "impercipience" and "abnegation." Also, if you're less than thrilled with such lines as "Magnanimity shaped a sad and vast perspective," and "My task, as I see it, is to adumbrate the sources of his entelechy," then you might want to move along to another bookshelf. However, if you want to read one of the finest novels ever written, grab a dictionary, take your time and don't miss a single clue in The Transit of Venus, such as the one embedded insignificantly in the middle of the first page. The importance of which is revealed only near the end of the novel. Hazzard does that to you; if she tells you, almost as an aside, that a trivial character is going to die one day soon, it could later on grab you by the gut that the mention was a portent of an even greater tragedy. Although The Transit of Venus is populated by several interesting characters, and is propelled by their sexual liaisons, the central story concerns the trio of Caroline (Caro) Bell, Ted Tice, and Paul Ivory and the mystery that directs, and warps, their relationship even into middle age. We're told right off that "Edmund Tice would take his own life...in a northern city, and not for many years." The book never explains why, and does not need to, once the reading is done. In the beginning, Caro, "established as a child of Venus," has come to England from Australia, along with her sister, Grace. Both sisters, orphans, are beautiful. While the "fair" Grace settles for a wealthy but unsatisfying married life, dark-haired Caro works for a time as a shopgirl and dallies with strategically-ma

A Brilliant Novel - Not for the Pat Booth Crowd

The Transit of Venus is the only novel I return to again and again through the years. When Shirley Hazzard writes the line, "Although the dissolution of love creates no heroes, the process itself requires heroism," it speaks not to the mind trying to follow a plot line, but to the depths of the heart and soul. Early on in the book there is a scene, that serves no essential purpose for advancing the plot. The two would-be lovers are on a bus. The bus doesn't lurch and they are not thrown together in an embrace. Not moved by fate, their orbits take them in different directions. It's a very subtle interaction, one that will surely be lost on the Harlequin crowd. This novel took seven years to write. It is one of the finest, most delicately constructed works of art, you will ever read.

Response to unhappy book club reader

At first, your club's poor opinion of TRANSIT shocked me. Then I recalled that I'd recommended it to a friend who also ran a book club in NYC; her friends were not quite as dismissive as yours about the book, but they too found it difficult to understand. Without meaning in any way to deride your taste or that of your circle, I can only speculate that TRANSIT disappoints because modern eyes are less than eager to embrace its very different style. You call it 'affected'; yet I assure you that I can usually spot affectation before the cover opens, and Hazzard is in no way guilty of such. There is to me a beautiful and rare RHYTHM in her writing. It is musical and poetic in the best senses of those words, and readers largely accustomed to the fourth-grade syntax and tone of most modern popular novels will, I suppose, feel lost. As for its being 'unintelligible': my turn to be lost. The lives of two sisters are followed, and that's all. They're followed with exquisite attention and fatalistic power, but followed plainly.

A remarkable reading experience

This is a beautifully written novel - when I finished reading it, I had to start over again. The first time I rushed through it, intrigued by the plot. The second time to relish the language.It is a series of pleasures, combining an acuity of observation of human behaviour delivered with surprising, sometimes startling, similes and metaphors. While the content is not light-hearted, there is a warmth, humour and intelligence which comes through, so that the overall effect is positive. I haven't enjoyed a read like that in a very long time.

A 20th Century masterpiece

Simply put, I have read THE TRANSIT OF VENUS many times over, and am always astonished to find new layers of meaning in this exquisite tapestry of a novel. Following two sisters from their Australian childhood through their lives in London, Hazzard is uncompromising and true to her tale. The style is unique; the episodes thrilling. Lovers, husbands, places and careers are set before these two women and before us, and even the most cameo appearance of a character or scene is rendered with the skill, reality and destiny-laden force given the heroines. Even when that destiny is tragically small. This is a novel on a par with the greatest of Eliot. From page one, Hazzard reveals a world where Fate and personal nature duel, often to the cold victory of the one and to pain for the other. But there is beauty in the pain we see; for us, and for these women we come to know so well. No one who cares about modern literature can afford to pass this by, and TRANSIT is more than deserving of the many fresh reads I intend to give it.