The Thames

by Jonathan Schneer

Book Overview

Vividly narrated with tales from every age in the life of England's great river, The Thames is a delight to any reader with an interest in British history. From the prehistoric era of wooly mammoths to the riverside negotiation of the Magna Carta in the thirteenth century to WWII when Nazi bombers used the Thames as a visual guide, the river has witnessed national triumph and tragedy.

• Format: Hardcover
• Language: English
• ISBN: 0300107862
• ISBN13: 9780300107869
• Release Date: May 2005
• Publisher: Yale University Press
• Length: 360 Pages
• Weight: 1.30 lbs.
• Dimensions: 1.1" x 6.4" x 9.5"

Customer Reviews

The Thames: The roles of the river

I thoroughly enjoyed this 'biography' of the Thames and its multiple roles. Descriptions of frost fairs and of swan upping, together with the role the river played in better known historical events were all engaging and interesting. Recounting of tragedies including the 'Great Stink' of 1858 and the impacts of the surge tide in 1953 served as reminders that nature does not always lend herself to the control of man. But most of all, the opportunity to read about the Thames as a primary character rather than as a secondary backdrop to other events made this an enjoyable, and informative, reading experience. Highly recommended to all with an interest in the history, geography and character of the UK. Jennifer Cameron-Smith

Sweet Thames, run softly, till I end my song

Jonathan Schneer writes in his introduction that there are lots of books on the Thames, but most are either highly specialised (tomes on flood control, environmental concerns, economic impact, etc.) or rather out of date. Schneer's intention with this book was to provide a more general, and more generally accessible, book on what is perhaps one of the most important rivers in history, with an impact that far outweighs it relative length. Schneer points out that most other major rivers (the Mississippi, the Danube, the Yang-tze, the Ganges, etc.) have major impact, but not the kind of dominating presence on their surrounding cultures that the Thames has had on its (perhaps the best comparison would be with the Nile, perhaps the only other river that was central to defining the culture of the lands around it). Schneer begins with the prehistoric and early historic settlements and influence of the Thames, and how it has been seen by Celts and early peoples, Romans, Angles and Saxons, Danes and Jutes, Normans and Middle Englishmen, Renaissance and Reformation people, all the way up to modern times when German bombers used the outline of the river to find London, and modern governments have seen the Thames as the gateway to Europe. Chapters go in a logical, chronological progression, and describe in socio-economic and historical narratives how the culture around the river ebbed and flowed, just as the river would rise and fall. Some seems a bit further afield than discussion of the river might require, but then, this is more of a labour of love for the English culture, of which the river Thames is certainly apart, but in fact the book is geared more toward the understanding of the history and culture itself. The Thames features in art, music and literature - the book contains a generous collection of print reproductions, both black-and-white as well as colour plates of artists such as Turner, Canaletto, Spencer, and more. Handel's Water Music is one of the better-known pieces from the time, inspired by the river, and literature past and present draws from its inspirational depths (Edmund Spenser's 'Sweet Thames, run softly, till I end my song' was used by Ewan McCall as title for his song, 'Sweet Thames, flow softly'; also, author Matthew Kneale uses it for one of his works of fiction). 'More generally the Thames's accumulation of meanings over the centuries, its interconnectedness with so much history, has linked it with evolving understandings of the nation and its heritage. Britons identify themselves as heirs to a record through which the river has always run.' This is an interesting, accessible, and well-written general book detailing various strands of English culture with a connection of the river Thames. The writing flows well with a cup of tea.

Sweet Thames, run softly, till I end my song

Jonathan Schneer writes in his introduction that there are lots of books on the Thames, but most are either highly specialised (tomes on flood control, environmental concerns, economic impact, etc.) or rather out of date. Schneer's intention with this book was to provide a more general, and more generally accessible, book on what is perhaps one of the most important rivers in history, with an impact that far outweighs it relative length. Schneer points out that most other major rivers (the Mississippi, the Danube, the Yang-tze, the Ganges, etc.) have major impact, but not the kind of dominating presence on their surrounding cultures that the Thames has had on its (perhaps the best comparison would be with the Nile, perhaps the only other river that was central to defining the culture of the lands around it). Schneer begins with the prehistoric and early historic settlements and influence of the Thames, and how it has been seen by Celts and early peoples, Romans, Angles and Saxons, Danes and Jutes, Normans and Middle Englishmen, Renaissance and Reformation people, all the way up to modern times when German bombers used the outline of the river to find London, and modern governments have seen the Thames as the gateway to Europe. Chapters go in a logical, chronological progression, and describe in socio-economic and historical narratives how the culture around the river ebbed and flowed, just as the river would rise and fall. Some seems a bit further afield than discussion of the river might require, but then, this is more of a labour of love for the English culture, of which the river Thames is certainly apart, but in fact the book is geared more toward the understanding of the history and culture itself. The Thames features in art, music and literature - the book contains a generous collection of print reproductions, both black-and-white as well as colour plates of artists such as Turner, Canaletto, Spencer, and more. Handel's Water Music is one of the better-known pieces from the time, inspired by the river, and literature past and present draws from its inspirational depths (Edmund Spenser's 'Sweet Thames, run softly, till I end my song' was used by Ewan McCall as title for his song, 'Sweet Thames, flow softly'; also, author Matthew Kneale uses it for one of his works of fiction). 'More generally the Thames's accumulation of meanings over the centuries, its interconnectedness with so much history, has linked it with evolving understandings of the nation and its heritage. Britons identify themselves as heirs to a record through which the river has always run.' This is an interesting, accessible, and well-written general book detailing various strands of English culture with a connection of the river Thames. The writing flows well with a cup of tea.