The Roots of Romanticism

by Isaiah Berlin

Book Overview

A brilliant brief account of romanticism and its influence from one of the most important philosophers and intellectual historians of the twentieth century In The Roots of Romanticism, one of the... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0691086621
• ISBN13: 9780691086620
• Release Date: April 2001
• Publisher: Princeton University Press
• Length: 192 Pages
• Weight: 0.70 lbs.
• Dimensions: 0.6" x 6.0" x 9.3"

Customer Reviews

A book that every student of 19th and 20th century art, history and philosophy must read

Romanticism, `the largest recent movement to transform the lives and the thought of the Western world', was a reaction to the 18th century Enlightenment view that we could in some way stand apart from the world and analyse it, get to know it and ultimately control it through rational argument, logic, mathematics and science. This positivist view, held by the philosophes of 18th century France, was overturned by the French Revolution and the Lisbon earthquake, events that proved conclusively that this was not, after all, the best of all possible worlds, as Leibniz had claimed. In the Roots of Romanticism, which is a transcript of six lectures delivered in Washington in 1965, Isaiah Berlin traces the roots and fruits of a movement which gave rise to a way of viewing the world that many now take for granted. The author's scholarship and grasp of his subject is masterful. This is a book that every student of 19th and 20th century art, history and philosophy must read. In the space of 118 pages, Isaiah Berlin knits together, in a readable and at times entertaining way, the complicated pattern of views held by the German and British romanticists, and shows the lasting effects of those views. If the book has one fault it is the fact that Berlin gives so little weight to the influence of Spinoza's philosophy. In Spinoza, opponents of the Enlightenment found not merely a set of counter-arguments to the positivist view that the universe could be described in mathematical terms, but a comprehensive system that cohered with reason, logic and all the evidence of common sense and experience. In Germany, the mechanistic world view was effectively eclipsed by the view, first expressed by Spinoza in his Ethics, that God and Nature were one and the same thing. Herder, Hegel, Goethe, Schlegel, Fichte, Schleiermacher, Schopenhauer, Schelling, Novalis, Nietzsche--all these and many more admitted the influence of Spinoza on their thought, and reflected his monism in their works. Their influence continues to be felt to this day in the works of 20th century European philosophers, notably those of Husserl, Heidegger, Sartre and Gadamer. Hegel said Spinoza was the central point of modern philosophy: "either Spinoza or no philosophy." In The World as Will and Representation Schopenhauer acknowledged the influence of Spinoza, and in his Criticism of the Kantian Philosophy he pays homage to Spinoza as beginning "an entirely new epoch of free investigation, independent of all theological teaching." Novalis, who referred to Spinoza as a "God-intoxicated man" said that "the true philosophy is realistic idealism--or Spinozism." Schelling admitted that "no one can hope to progress to the true and complete philosophy without having at least once in his life sunk himself in the abyss of Spinozism." And Goethe asserted: "Spinoza does not prove the existence of God; existence is God." In 1798, Schlegel, who held that modern philosophy began with Spinoza, wrote excitedly to Nova

Engaging and inspiring

IB takes us on a tour of his mind as he negotiates the mean between the extremes in understanding the nature of romanticism. He clearly describes various points of view and from those builds a middle ground that seems a best interpretation. Most wonderful is the clearness of his vision as he lays out the collection of writers he spent a life time coming to know in depth. The complex is made relatively simple while not losing its richness in the process. You come away wanting to read more as his enthusiasm for scholarship is easily caught by the reader. Under his explanation romanticism is defined, its roots described, and the branches displayed. Romanticism becomes obviously a tree that forms the scenery behind much of our current values. We can see the forest and the trees with this kind of insight. Thank goodness these lectures are made available at last.

that last review sucks

This book may have its faults, but ambiguity and lack of conciseness are not among them. What the reviewer before me failed to realize is that the Isiah Berlin of 1965 was pulling against a strongly ahistorical approach to philosophy that had completely dominated the English-speaking scene for 30 or 40 years. Berlin's deliberate refusal to start out with a clearly defined conception of Romanticism strikes me as a brave and bracing move. To try to understand a philosophical movement by tracing out important moments in its intellectual history--this project marks an entirely different way of doing philosophy, one that Berlin himself helped reintroduce as a completely legitimate philosophical methodology. That being said, this is a difficult book, in certain ways. I can see why it might appear to be sprawling and slightly lacking in direction. It's not (I would probably even want to quarrel with Berlin over just how directly he thinks Romanticism points us towards liberalism, but that's not really important here). Berlin is a historical thinker (something very different than a historian of philosophy), and his references can be fairly difficult to keep up with (especially if you're really trying to pay attention to how they all fit together). But he's also a good enough writer that you can fake your way through any of the stuff you're not entirely grounded in yet. Isiah Berlin is an important philosopher--one who gets glossed over all too often (and he's a philosopher who calls our attention to other philosophers who get glossed over all too often). He's fun to read, and that's more important than people tend to realize or admit. The previous reviewer ("I've Had Better") recommended Berlin's Three Critics of the Enlightenment as a work with a little more philosophical depth. I think that's probably right. But I'll also add my own recommendation, going in the other direction: Concepts and Categories is a wonderful collection of essays, each of which is entirely self-contained, completely unambiguous, and painstakingly precise. For the reader who likes things straight and simple.

One of the best and most important books I have ever read.

"The Roots of Romanticism" is the 1999 edition of a series of six lectures given by Isaiah Berlin at the National Gallery, Washington DC, in 1965. Towards the end of his life, Berlin, who died in 1997, was working on a book on Romanticism. The book was never completed. Nevertheless, Berlin's extant writings on Romanticism can be found in any number of essays scattered throughout his various books. So,...why this book? This book brings everything together in a lively and intensive treatment of the subject--with many "new" things to say. The lectures are riveting, engrossing, mesmerizing to read. Indeed, the reading is so good that one listens for--and hears!--the voice of Isaiah Berlin delivering these spellbinding lectures.But why bother? Why bother reading--or listening to--old lectures? by an old man? about old ideas? Who wants it? Who needs it? Who has time for all that stuff? The very act of reading dispels such foolish questions. This is one of the best and most important books I have ever read. The reading is enthralling. The ideas are dazzling. And the subject is vital. Romanticism--"the greatest single shift in the consciousness of the west"--is alive today: flowing through our times, our world, our selves. But Berlin is no Romantic. He is an historian of ideas. Or, if you like, a sort of intellectual spy: one who goes behind enemy lines, probes, investigates, gets inside the skin of the foe--and almost takes his side! (but not quite). To open this book is to open the door to such a spy. To read it is to debrief him. His report is facinating:"We are children of both worlds. On one hand, we are heirs to Romanticism, because Romanticism broke the great single mould [of] the 'philosophia perennis.' We are products of certain doubts--we cannot tell...we oscillate between the two." This is my favorite passage in the entire book. I like its dualism, its ambivalence, dynamism, doubt, willingness to live with question marks--without insisting upon periods, or even calling for complete sentences. This is Berlin at his best. Berlin at his worst is another matter, much more rare, as when he concludes that Romanticism arose from a feeling of "sour grapes." That is like saying Solzhenitsyn kept crying over "spilled milk." But this is no place to take up such a dispute. Instead, let me try to distill what Berlin is saying:The roots of Romanticism are buried deep in German soil, in the Lutheran pietist movement, in the writings of its spokesman--J. G. Hamann (1730-88). It was Hamann who "struck the most violent blow against the Enlightenment and began the whole Romantic process, the whole process of revolt." Thus, Romanticism began as a rebellion against the Enlightenment. The Enlightenment preached that truth was universal, that knowledge was virtue, and that the only way to know the truth--about anything!--was to apply the methods of science and reason. Everything was knowable.

Breath-taking intellectual tour de force

If you never heard Berlin lecture, you've missed something very special. Twenty-five years ago I heard the BBC broadcasts of these lectures and was hooked - the sparkle and fizz and force of IDEAS explored and played with by a mind of great clarity, power and humour. This is a superb introduction to the change in values that transformed European thought, art, society - even economics - two centuries ago. Berlin's asides, aphorisms and apercus are more stimulating than most books.