Mayo Thompson formed a band to end music, then spent sixty years proving he'd only just started. In Mayo Thompson & The Red Krayola: Listen to This, filmmaker and writer Bill Perrine traces the six-decade, ever-mutating career of the Red Krayola -- the Houston art-noise group that emerged from the 1967 Summer of Love playing "Free Form Freak-Outs" alongside John Fahey, splitting the difference between garage rock and outright sonic destruction on their debut, The Parable of Arable Land. From there Perrine follows Thompson and his revolving cast of collaborators through five decades of reinvention: the Familiar Ugly's audience-as-instrument chaos of the late '60s, an underground UK art-punk phase alongside Art & Language in the '70s, disillusioned detours through the disco era, and a 1990s and 2000s run through Chicago's post-rock scene with members of Tortoise, Gastr del Sol, and Stereolab passing through the band's ranks. Built from new interviews and drawing on the band's own extensive self-documented archive -- the book's appendices include a full discography, bibliography, and videography compiled by the Red Krayola themselves -- Listen to This treats the band less as a rock group than as a six-decade art project that happened to use guitars, tracing its through-lines from free jazz and musique concr te to conceptual art and Marxist politics. Thompson emerges across the book's thirteen chapters not as a rock star but as an idea in motion: a singer who has said outright that he hates music, and who has spent sixty years making some of the strangest and most influential of it anyway. For readers of Michael Azerrad's Our Band Could Be Your Life and fans of Pere Ubu, Sonic Youth, and Stereolab -- bands the Red Krayola directly shaped or ran alongside -- Listen to This is the first full account of one of American music's longest-running and least-classifiable experiments.
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