The Overstory
Conditions
An apparently unread copy in perfect condition.
Formats
Conditions
An apparently unread copy in perfect condition.
Conditions
An apparently unread copy in perfect condition.
Formats
Conditions
An apparently unread copy in perfect condition.
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of--and paean to--the natural world. From the roots to the crown and back to the seeds, Richard Powers's twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours--vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe.
Having earned a bit of a reputation for being the reclusive genius type -- he didn't give interviews until he had published his third book, and didn't consent to having his photo on the jacket until his fifth -- novelist Richard Powers explains to The New York Times, ""I wanted the books to speak for themselves.""
This book was so artfully written. I love a story that tells multiple character’s stories separately before bringing them all together in such interesting and compelling ways. Richard Powers manages to create characters that are complex and engaging, embedding them in a rich history in just a single chapter. Add on to that, the overarching theme of our relationship to nature - this book makes you think and meditate on human nature and how we relate to Mother Nature. Exquisite.
Entertaining but dense and the paths of the characters failed to define the story. I may have to read it again to see why other people think it is so good.
It's a beautifully written book. Powers' ability with poetic language shows the same passion as that which he has for trees. But the story had at least two (maybe three or four) characters too many. And the flights of poetry dealing with trees were often too long and too prominent within the overall story: always he seems to have more to say, more to say, more. His editor should have helped him pick out the most relevant and well-crafted ones. Still, I'm not sorry I read it. Just not sure, were I a Pulitzer Prize voter, that I would have voted for it.
This book was a long hard slog… Trying to get to a point or the meaning, or an epiphany of sorts I am still lostand it just kind of ended.
Naturalists will sign it's praises! There are characters we can all identify with one way or another as fragile humans or as advocates for falling in love with the earth. Mr Powers is able to describe a tree like Mozart describes a song. Lyrical.
As weird as this premise seems, Powers makes this story believable and you don't want to put it down. There are powerful messages but Powers doesn't come off as preachy.

Published by Ashly Moore SheldonApril 16, 2026

Published by Ashly Moore SheldonAugust 4, 2024
With your toes in the sand, the sun on your face, and the roar of the surf drowning out your worries, reading at the beach is a double dose of escape. But what makes the perfect beach read? Depends on the reader. If you're looking for a really big book to get lost in, here are 29 beach-perfect doorstoppers for you.

Published by Ashly Moore SheldonApril 21, 2024
Published by Ashly Moore SheldonNovember 30, 2023
What is Fixation Friday? In this new blog series, we'll spotlight a trending topic to explore. This week, it's Outdoor Adventures. If this is something you're excited about, read on as we follow the paths (and trails) this theme leads us down.
Published by Ashly Moore SheldonApril 28, 2022