The Outcast

by Sadie Jones

Book Overview

Lewis Aldridge is just 10 years old when he loses his mother. Neglected by his distant father and new stepmother, he can't help but let the grief inside him grow. When he is 17, that pain explodes in... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0061374032
• ISBN13: 9780061374036
• Release Date: March 2008
• Publisher: Harper
• Length: 352 Pages
• Weight: 0.05 lbs.
• Dimensions: 1.1" x 5.5" x 8.3"

Customer Reviews

Couldn't Put it Down

I read this book from start to finish in a three days. I read it while idling at red lights. I read it while waiting in front of my kids' school. I read it while my husband watched TV in bed next to me. I just couldn't put it down. Sadie Jones creates a protagonist we care deeply about. He is a damaged boy, then young man, dangerous and frightening, and we root for him desperately throughout the story. At each turn, as things go from bad to worse, we just want him to find his way, to find SOMEONE who will acknowledge him and make him feel he has a place on this earth. There is an improbable love story, and it is multi-layered and complicated (as all good love stories are). At the end, disaster looms and you just have to race through the pages to find out what will happen. The prose style takes a little getting used to, but it carries you along like a strong-flowing river. The novel really delivers. I had tears in my eyes at the end... and when I closed the last page, I was sorry it was over.

deep historical tale

In England the war is over and many veterans are coming home to their loved ones. Ten year old Lewis Aldridge struggles with having an adult male in the household with the return of his father Gilbert and the change in routines to a more stifling environment. However as both males adjust, the lad still enjoys picnics in the woods with his mom Elizabeth until the day she fails to return home with him having drowned. While Gilbert remains outraged in his grief over the next year, his remote father remarries Alice, who has no idea how to reach her stepson. A few years later, Lewis goes to prison for arson, having burned down a church. In 1957 now nineteen years old Lewis is free and returns home. Sixteen years old Kit Carmichael, daughter of the most influential family, is attracted to Lewis and wants to help him while her older sister twenty one years old Tamsin teases and flirts with him, which he assumes means she is attracted to him. Their abusive father, who is his dad's boss, simply wants to destroy him. This deep historical tale may take place in the Happy Days of the 1950s in England, but has incredibly deep relevance today as the family dynamics is explored. First the issue of returning veteran being away for extended war duty shows how complex life can be whether it is fifteen months deployment to Iraq or fighting for several years on the continent. Second there is the parental abuse of the father hitting his wife and Kitty as if he had the divine right to do so, which leaves an angry Lewis feel helpless. Finally there is the alcoholism of Gilbert and Alice that isolates Lewis even further. With THE OUTCAST ironically as the center to all these social issues, Sadie Jones provides a powerful look at the dark side of families circa 1957 but still germane in 2008. Harriet Klausner

Disturbing, poignant and lovely to read

Gail Cooke's review is spot on, so I won't rehash the plot. Jones' prose is lovely. She's particularly good at the imagery of childhood, at once so practical and fanciful. Beautifully written, emotionally stunning and very highly recommended.

AN ACHINGLY BEAUIFUL STORY

British writer Sadie Jones has given us an amazing debut novel, an achingly beautiful story of loss, love, and redemption. She astounds with her picture of 1950s England, a Surrey where emotions roil beneath a peaceful bucolic surface. With penetrating insight and scrupulously wrought studies she traces the characters as they develop. Her portrait of a young man who almost perishes in a painful search to define himself is especially moving. The Outcast opens as 19-year-old Lewis Aldridge is released after serving a two-year prison term for setting fire to the village church. He goes home as, in truth, he has nowhere else to go. He's hoping for a new beginning but that is not to be. Lewis's childhood is described in a flashback to when he was 10-years-old and adapting to his father, Gilbert, being home again after the war. Prior to that time Lewis and his mother, Elizabeth, enjoyed a happy, loving relationship. She doted on him and he returned her affection. Always a shadowy figure, Gilbert, once again takes his place in the home yet remains a puzzlement to the boy. Soon a dreadful tragedy occurs that sends Lewis into a horrific spiral of isolation, violence, and self-mutilation. Elizabeth drowns on what had begun as a happy river side picnic for Lewis and his mother. Gilbert is little solace to the boy and remarries within a year. Alice, his second wife, knows little of how to reach Lewis who is ostracized by his childhood friends. Riddled with self-hatred his behavior becomes increasingly anti-social, and he withdraws even deeper into himself. He is virtually shunned by other villagers save for Tasmin and Kit, daughters of Gilbert's employer, Dicky Carmichael. Kit is the youngest daughter who was a tag-along playmate in Lewis's childhood, often ridiculed by her older sister and ignored by the others. The Carmichael household is a dark one, harboring the secret of Dicky's domestic violence. "Dicky often hit Claire (his wife), it was a habit, and part of the pattern of the family, and it wasn't questioned between them at all." Dicky's rage is soon vented on Kit as he beats her mercilessly, always slapping her hard across the face with an open hand so as not to leave any marks. He would beat her with a belt "until his arm felt quite tired." Upon his return from prison Lewis finds no welcome or comfort in his home. "Very often Gilbert and Alice were fairly drunk by supper anyway, so it wasn't as bad as lunch, but sometimes the being drunk was worse - you could see what was underneath." When Lewis learns of the abuse suffered by Kit he longs to rescue her, but feels he has no power to do so. Is it possible that one damaged individual can save another? With lucid, affecting prose Sadie Jones carries us along to a startling yet satisfying conclusion. Highly recommended. - Gail Cooke