He was kind to everyone on that street except her.
Aziza Mora is twenty, and her whole life is a timetable. Five holiday flats a day, four nights behind a bar, and a mother on the fifth floor of a building with no lift who has not walked down her own stairs in over a year.
Then a Yemeni boy takes over the corner shop. He carries the neighbours' shopping up four flights. He reads old women's letters aloud to them for nothing. He is, everyone agrees, the kindest man on the street.
And the moment Aziza walks in, the light goes out of him.
She spends five months trying to find out what she did.
The answer is waiting in a basement on the other side of the barrio, in a box her mother was legally obliged to destroy and never did - seven passport photographs, clipped together in birth order, and a receipt in her mother's handwriting. In one of the photographs, at the edge, there is a boy of eleven.
He did not wander onto her street.
Set in Granada across two years, THE NAME SHE KEPT is a slow-burn love story about inherited debt, a dying mother's silence, and a young woman who finds her own faith in the middle of it - and about what two people owe each other for something neither of them did.