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The Mists of Avalon

(Part of the Avalon (#1) Series and Les Dames du lac (#2) Series)

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Book Overview

Here is the tragic tale of the rise and fall of Camelot - but seen through the eyes of Camelot's women: The devout Gwenhwyfar, Arthur's Queen; Vivane, High priestess of Avalon and the Lady of the... This description may be from another edition of this product.

Customer Reviews

8 ratings

One of my favorites!!

This is definitely worth the read if you're into fantasy. My English teacher when recommended it when I was in my senior year, as we finished reading Beowulf and snippets from the Arthurian tales, and if you're a fan of medieval fantasy this is really the book for you. Especially if you're looking for stories from a woman's perspective (as I was as a high schooler, haha,) this is a must-read.

Ms Bradley's book is a major sucess

I bought and read this book when it came out and have read it twice since then. It is huge pleasure to read and I recommend it to all lovers of fantasy!


I really enjoy reading books that tell the Arthur Legend differently and this blew that out of the water! It was a great read, the only critique was that it went into a LOT of detail and that made it hard to focus sometimes with getting glazed eyes.

A Novel Take On A Classic Tale - Superb!!

Marion Zimmer Bradley's "The Mists of Avalon" is one of my favorite versions of the Arthurian legend. I first read the novel in the early 1990s, right after its publication. I reread it recently and was surprised at how much I enjoyed this extraordinary novel the second time around. I turned the pages more slowly and took more time to savor Ms. Bradley's excellent narrative and fresh version of the legendary saga of the rise and fall of Camelot. Her take on the classic characters gives them new depth and dimension. She tells her tale from a feminine perspective, and while the King and knights of Camelot dwell on war, battles and keeping their golden city and realm safe, along with focusing on chivalric honor, the women have different priorities and concerns. The tale is told from the points of view of the much maligned Morgaine, (Morgana Le Fey), Priestess of Avalon and Gwenhwyfar, (Gwynivere), Christian princess and future queen of Camelot. Although most of the events of the traditional Arthurian legend are presented here, it is extremely interesting how the tale, told by men, changes when viewed through the eyes and experiences of a woman. This is also the important story of the political and religious conflict between the new Christianity and the "old ways" of goddess worship. Believers of each religion seek to control the throne, but ultimately Christianity ascends to be the organized religion of the land. Since Morgaine is a Druid High Priestess, it would explain why she received such a bad rap in Christian civilization. The reader also views other famous female characters from a different vantage point, including Igraine, Morgaine's and Arthur's mother, Ms. Bradley follows Morgaine from childhood to Priestess in her home on the Isle of Avalon, the center of Druidism and goddess worship since the Roman occupation forced the religion underground, where it remained long after the Roman departure. Mists surround this mystical isle, protecting it and its inhabitants from all who do not have the psychic powers to penetrate the barrier. Morgaine has dedicated her life to preserving her ancient religion and tries to defend it against the growing numbers of her countrymen and the Camelot royalty who exchange the old ways for Christianity. She is also a very powerful person and struggles against the stereotypes which expect her to adhere to more traditional "feminine," (dependent), behavior and roles.Bradley also follows the lovely Gwenhwyfar from the innocence of her girlhood to her rise as King Arthur's Christian Queen. She deeply fears Druid magic and her terror causes her to miscarry a long awaited baby. King Arthur's acquiescence to his wife's pleas to turn his back on the old ways and adopt Christianity is the beginning of the cataclysmic fall of his reign.This is a most unique novel and Ms. Bradley's innovative fantasy version of Camelot, Britain during the Dark Ages, and the profound changes which took place in the land and among the people d

an excellent book!

The Mists of Avalon is a fantastic story. Knights in shining armor fighting heroic and daring battles in the name of God and their beloved king and the women sitting alone in their chambers, weaving and darning who really deserve a great deal more credit than they actually get- and which they never would have gotten if it hadn't been for this book. For once, the women speak out! There has never been a female character so strong in any other book I've read, than Morgaine of the fairies. The Mists of Avalon completely contradicts the very popular Christian myth back in those days which states that women do not have any feelings HIGHLY RECOMMENDED: The Price of Immortality by C.M. Whitlock another book full of Knights and battles, with strong men and woman.

From the Feminine Point of View, Not Feminist

Many of Marion Zimmer Bradley's books are rather fluffy fantasies, fun and light. This is not the case with the mystical, magical "The Mists of Avalon." This spendid book is a retelling of the King Arthur legend from the point of view of the women involved, principally, Morgaine, King Arthur's half-sister and Priestess of Avalon, and Gwenhwyfar, the Christian princess and future Queen of Camelot.Although "The Mists of Avalon" has been criticized as being a "feminist" book, I don't think this criticism holds up. Yes, the author chose to focus on the conflicts and emotions of the women involved, but their gender is far less important in the book than is their religion. Morgaine, as a Druid and Priestess of the Goddess, is struggling to keep her dying religion alive against the growth of Christianity and Gwenhwyfar.The main character in "The Mists of Avalon" is Morgaine and we follow her from childhood to her rise as a priestess on the mystical Isle of Avalon, the home of the druids of the Old Religion, the religion of the Goddess. Avalon, as can be deduced from the book's title, is surrounded by swirling, protective mists that cause it to be invisibe to all but the initiated. Morgaine's life, down to its very core, is shaped both by her desire to serve the Goddess and by her despair at seeing the Old Religion being tossed aside in favor of Christianity, by royalty and the common people alike.The book also focuses on Gwenhwyfar, and we are privy to her first meeting with Arthur when, as an innocent child, she crosses through the mists of Avalon to the other side. As Queen, she is a guilt-ridden figure who turns to Christianity in her desire to bear a child and begs Arthur to do the same, thus bringing about the fall of Camelot.While I found Morgaine to be a character of depth, intelligence and tremendous emotional range, Gwenhyfar came off as shallow, jealous and more than a little suspicious. Viviane, The Lady of the Lake, who also plays quite a role in this book, seems to be a little too manipulative, but very interesting, nonetheless.Anyone interested in Wiccan rituals will find this book extremely interesting. The transformations from ordinary woman to priestess and the effects of the Old Religion on the "modern" world are simply part and parcel of this book's magic.This is a long book, but don't let its length put you off. It is an extremely fascinating and pleasant read and it's quite easy to find a stopping place should you need to put the book down (though I doubt you'll want to).Those looking for historical accuracy regarding the rise of Christianity in Britain should look to another book. "The Mists of Avalon" is entertainment, pure and simple. The portrayal of Druidism and the focus on the priestesses of Avalon, descended from the lost island of Atlantis, the frequent visits to the land of the Fairy--all of this places this book squarely within the fantasy genre, rather than the historical realm. And, all to the good.I found

The Greatest Book of the Latter 20th Century

Marion Zimmer Bradley, who passed away last year, left to her readers both old and new, one of the most enduring legacies of modern literature. The Mists of Avalon is a glorious retelling of the Arthurian saga by one of its most maligned characters--that of Morgan le Fay. To call this book a "feminist fable" is to do it a great injustice, and frankly, lends itself to charges of sexism. No one calls Thomas Malory's Le Morte d'Arthur a paen to masculine virtues; historically speaking, Malory's work was greatly influenced by Eleanor of Aquitaine's famous Courts of Love. Any spurious charges of feminism leveled against Ms. Bradley's book merely rise from the fact that the main characters of the book are all the women behind Arthur's throne; Morgan (called Morgaine in the novel), Guinevere (Gwenhyfar), and Viviane, Lady of the Lake. Morgaine has emerged as one of my all-time favourite characters in literature; she is a complex woman both ahead of her time, and yet greatly of her time. Gwenhyfar is just as complex, and at first reading, is a thoroughly disagreeable character. That is, until one realizes that she too, is as much a woman of her times. Much of Ms. Bradley's genius lay in her ability to fully flesh out her characters, to make them real to the reader. This novel also introduced many to the idea of a goddess-centered spirituality (i.e. paganism/wicca) without being preachy. To be honest, I found Morgaine's path to be just as trying and just as demanding as Christianity is to its adherents. A few detractors have claimed that Mists of Avalon was/is a "recruitment guide" to feminist spirituality, and that Christianity was painted as a hateful religion--unfortunately, these people are the victims of their own biases. Much of early Christianity was rather backwards in its views of women (a view which sadly hasn't progressed all that greatly). To be fair, Ms. Bradley once again proved her impeccable scholarship in showing the ties that early Christianity and the pagan faiths of Old Britain shared--the story of Joseph of Arimathea, who supposedly founded the first church upon Glastonbury Tor, and who worshipped alongside the Druids. She wrote of Pre-Nicean Christianity, which did not seem to have any issues with the pagans of Britain. Still, put oneself in Morgaine's shoes--having to defend one's beliefs against ignorance and superstition (though it was that same 'superstition' that many called on when it came to tending the sick because of her vast knowledge of herb lore). Morgaine was forced to defend even the basic freedoms of women (to be learned) against those who felt that women were not 'created' to read and write. I also see the problem some of the detractors have is in our very Western notion of 'good gys v. bad guys'. Many people like things simplified, and to read a book that doesn't wrap everything up in a tidy little box has got to be rather disappointing. 'The Mists of Avalon' transcended this outdated notion, peopling

The definition of a good book!

I had forgotten my love for reading after going through so many books that didn't hold my attention. The Mists of Avalon reminded me of my love for a good book and got me hooked on Marion Zimmer Bradley. This book is a perfect blend of romance, action, magic and just plain creativity that binds you to the story and leaves you begging for more. This book tells the Arthurian legend through the eyes of the women around King Arthur's life. It tells the story of the strength of Morgain (his sister), Igraine (his mother) and Guenivere (his wife). It wonderfully portrays the bravery of these women in such a brutal time, without taking away the romance and insecurity's women feel. Beautiful book. Be sure to read the Forest House and Lady of the Lake also, which take place before The Mists of Avalon although Bradley wrote them afterward. I started with the Mists of Avalon and had no trouble at all. Marion Zimmer Bradley was a genious. I'm terribly gratefull to her for giving me something to refresh my mind.

The Mists of Avalon Mentions in Our Blog

The Mists of Avalon in A History of Morte Darthur
A History of Morte Darthur
Published by Theia Griffin • December 18, 2020

In 1891, a young artist named Aubrey Beardsley walked into London bookseller Frederick Evans' shop and met J.M. Dent, then a new relatively new publisher. The book dealer and publisher were engaged in a conversation about Sir Thomas Malory's Morte Darthur which at the time was undergoing a renewed popularity...

The Mists of Avalon in Get Your Ren Faire Fix with These Reads for All Ages
Get Your Ren Faire Fix with These Reads for All Ages
Published by Ashly Moore Sheldon • July 10, 2020
With lots of our summer traditions canceled this year, we are relying on literature to take us where we want to go. This week, Renaissance Faire reads for all ages!
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