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The Letter of Marque (Aubrey/Maturin Novels, 12) (Book 12)

(Book #12 in the Aubrey & Maturin Series)

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Book Overview

Captain Jack Aubrey, a brilliant and experienced officer, has been struck off the list of post-captains for a crime he did not commit. His old friend Stephen Maturin, usually cast as a ship's surgeon... This description may be from another edition of this product.

Customer Reviews

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Joint Review of All Aubrey-Maturin Books

Some critics have referred to the Aubrey/Maturin books as one long novel united not only by their historical setting but also by the central plot element of the Aubrey/Maturin friendship. Having read these fine books over a period of several years, I decided to evaluate their cumulative integrity by reading them consecutively in order of publication over a period of a few weeks. This turned out to be a rewarding enterprise. For readers unfamiliar with these books, they describe the experiences of a Royal Navy officer and his close friend and traveling companion, a naval surgeon. The experiences cover a broad swath of the Napoleonic Wars and virtually the whole globe. Rereading all the books confirmed that O'Brian is a superb writer and that his ability to evoke the past is outstanding. O'Brian has numerous gifts as a writer. He is the master of the long, careful description, and the short, telling episode. His ability to construct ingenious but creditable plots is first-rate, probably because he based much of the action of his books on actual events. For example, some of the episodes of Jack Aubrey's career are based on the life of the famous frigate captain, Lord Cochrane. O'Brian excels also in his depiction of characters. His ability to develop psychologically creditable characters through a combination of dialogue, comments by other characters, and description is tremendous. O'Brien's interest in psychology went well beyond normal character development, some books contain excellent case studies of anxiety, depression, and mania. Reading O'Brien gives vivid view of the early 19th century. The historian Bernard Bailyn, writing of colonial America, stated once that the 18th century world was not only pre-industrial but also pre-humanitarian (paraphrase). This is true as well for the early 19th century depicted by O'Brien. The casual and invariable presence of violence, brutality, and death is a theme running through all the books. The constant threats to life are the product not only of natural forces beyond human control, particularly the weather and disease, but also of relative human indifference to suffering. There is nothing particularly romantic about the world O'Brien describes but it also a certain grim grandeur. O'Brien also shows the somewhat transitional nature of the early 19th century. The British Navy and its vessals were the apogee of what could be achieved by pre-industrial technology. This is true both of the technology itself and the social organization needed to produce and use the massive sailing vessals. Aubrey's navy is an organization reflecting its society; an order based on deference, rigid hierarchy, primitive notions of honor, favoritism, and very, very corrupt. At the same time, it was one of the largest and most effective bureaucracies in human history to that time. The nature of service exacted great penalities for failure in a particularly environment, and great success was rewarded greatl

O'Brian returns to high form!

Frankly, I didn't have very high expectations for this twelfth installment in the saga of Capt. Jack Aubrey and Dr. Stephen Maturin; turning the Surprise into a privateer seemed to be merely scrambling for a plot twist. But, however (as they say), I was mistaken. O'Brian takes the opportunity to point up the significant social and operational differences between the national and private man-of-war, the superior attitudes of the "real" navy toward those not in blue and gold uniform, and the real advantages sometimes enjoyed by the privately financed operation. And he sensitively explores Jack's deep depression at being separated from the service. Moreover, we all know Jack's estrangement, the result of his engineered conviction on trumped-up charges of rigging the stock market, cannot last. And, indeed, his sobriquet of "Lucky Jack" comes to the fore as his first cruise, intended only as a two-week shakedown exercise in preparation for a surreptitiously government-backed diplomatic and intelligence-gathering expedition to the Pacific coast of South America, quickly turns into a triumphant procession of Franco-American prizes back to Plymouth. There are also several interesting sub-plots, including Stephen's reconciliation with his departed wife, Diana, and his gradual but unintentional weaning from his extreme opium habit via his Irish servant. I'm pleased to recommend this yarn as one of the best in the mid-part of this series. (But if you haven't read the previous four or five, you'll have no idea of what's going on.)

Reversal of Fortunes

Stephen Maturin once noted that Aristotle's definition of tragedy encompassed not only a great man being brought down but also the redemption and raising up of a man who had been laid low. Fortunes can reverse in many ways, and Aristotle recognized the literary and moral value of each.In the twelfth of Patrick O'Brian's wonderful series of twenty naval adventures, a combination of luck, adherence to honor, and determination turn Jack Aubrey's fortunes. The HMS Surprise is sold out of the service - to Maturin, whose intelligence activities continue in Britain and promise a voyage to South America. First, though, Aubrey undertakes two voyages as a privateer, under a "letter of marque", which combined with Maturin's unmasking of a spy, restore his reputation. Maturin's private reputation has similarly suffered from false gossip about his doings in Malta (in "Treason's Harbour"), and he must similarly seek redemption in a typically private way. So, Maturin travels to Sweden to reconcile with his wife. This gives occasion for the reappearance of the Blue Peter diamond, and further exploration of Maturin's complicated relationship with Diana."The Letter of Marque" closes the book on many of setbacks that Aubrey and Maturin suffered recently, leaving them reunited, restored, and with their decks otherwise cleared for action in succeeding volumes. As always, O'Brian's writing is intelligent, informed, and full of wonderful historical nuance.

Sea tales without peer

The Letter of Marque (the entire series for that matter) goes so far beyond the swashbuckling cliche as to make the comparison irrelevant. O'Brian's ability to evoke a place, an era, an age is to my mind unprecedented. The series is actually so many chapters of one great work that will hook you completey, and leave you in awe of the mind that contained them.
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