The Land of Little Rain

by Mary Hunter Austin

Book Overview

Mary Austin's love of the desert is everywhere evident in The Land of Little Rain, a collection of fourteen vignettes about the land and people of the region that today includes Death Valley National... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0140249192
• ISBN13: 9780140249194
• Release Date: February 1997
• Publisher: Penguin Adult Hc/Tr
• Length: 128 Pages
• Weight: 0.25 lbs.
• Dimensions: 0.4" x 5.3" x 7.9"
• Age Range: 18 years and up
• Grade Range: Postsecondary and higher

Customer Reviews

Land of Little Rain

This book was about the desert and desert people which Austin knows well. Her language is beautiful. I purchased as a gift book for people who love the Southwest and the people.

Overlooked Masterpiece of Nature Writing

Mary Austin's work is roughly contemporary with John Muir's, although "The Land of Little Rain" comes after the publication of Muir's best work. It's been said that Mary Austin's work is the finest nature writing between John Muir's and Aldo Leopold's. I dearly love John Muir's writing, but Mary Austin is the better writer. There is a haunting, mystical quality in this book. At times it reads like beautifully stark poetry, like the landscape she describes. For me it reads like music. I read this after visiting Owens Valley, Death Valley and the valleys and mountains between. For me it was an affirmation of what I felt and sensed there. If you let it, the landscape has a way of burning itself into you, and she describes that very well.

Intimate & Beautiful Appraisal of Life In a Harsh Land

The famous American-West landscape photographer, Ansel Adams and friend of M.H.A., said of The Land of Little Rain: "The sharp beauty of The Land of Little Rain is finely etched in the distinguished prose of Mary Austin. Many books and articles have probed the factual aspects of this amazing land, but no writing to my knowledge conveys so much of the spirit of earth and sky, of plants and people, of storm and the desolation of majestic wastes, of tender, intimate beauty, as does The Land of Little Rain." (Re: "A Note on the Land and on the Photographs", from "The Land of Little Rain"- Houghton-Mifflin Co. 1950). Indeed, M.H.A. displayed an uncanny sensitivity and understanding of the desert lands in the Owens Valley, California. Death Valley is, indeed, harsh and unforgiving, but to the astute observer who has learned how to live within the limits of sparse resources, it is an unequaled Paradise. She writes so eloquently and poetically of how the desert people and flora/fauna survive. The interaction of desert botany, biology, hydrology, geography, meteorology, and ecology come across vividly and often humorously with such lines as: "Once at Red Rock, in a year of green pasture (a wet year), which is a bad time for the scavengers, we saw two buzzards, five ravens, and a coyote feeding on the same carrion, and only the coyote seemed ashamed of the company". (chapter 3- "The Scavengers") M.H.A. studied the land, the flora/fauna, the weather (her "2" basic desert seasons- summer and winter) and she learned from her neighbors the Shoshone and Paiute Indians (she preferred to call the American Indians "Amerinds") , the Mexicans, the white settlers, and many colorful desert loners such as the "Pocket Hunter" (for seeker of pockets of gold)- her name for an old prospector friend. She learned much wisdom and practical knowledge from her Indian friends like "The Basket Maker", Seyavi, whose life story is so eloquently told. The Indians shared with her their survival knowledge of how to find water from signs displayed by plants, how to read the activities of animals for food, how to "know" which plants are medicinal and/or edible and which plants to stay away from: "Live long enough with an Indian, and he or the wild things will show you a use for everything that grows in these borders". (Chapter- "Shoshone Land") This beautiful little book finishes with: "Come away, you who are obsessed with your own importance in the scheme of things, and have got nothing you did not sweat for, come away by the brown valleys and full-bosomed hills to the even-breathing days, to the kindliness, earthliness, ease of Pueblo de Las Uvas." According to Ansel Adam's notes, Las Uvas is Grape Canyon or Creek and is part of the Tejon area south of Bakersfield, Ca. After reading this fine book, one will come to understand why so many people have referred to M.H.A. as the "Henry David Thoreau of the American West". Thoreau is the author of the renown classic, "Walden"

Best natural history writing

Austin lived in the Owens Valley during a turbulent period at the turn of the century, and she observes the people and wild things dwelling there with a novelist's eye. But what sets this gem above all the rest is simply her writing, the plain beauty of her voice and phrasing. She achieves a tone that is somehow at once wistful and tinged with levity, very gently ironic yet always loving. Her words caress their subjects like -- well, like the pen and ink drawings that graced the original publication in 19-ought-whatever. They evoke all the richness of the place, its austerity, its pathos, its beauty, with a gentle affection that is sweet but never cloying, sometimes sad but never downcast. It has a kind of Zen translucency, filtered through the gently humorous, sensitive lens of a literary genius.

`"The Country of Lost Borders"

Mary Austin's brilliant essay on a small corner of California is the subject of this breathtaking book. In prose of unvarying beauty and satisfaction she paints a stunning portrait of high mountains and deepest valleys, describes in vivid detail the lives of the native Indians and Mexican immigrants, and reminds her readers that there is life and vitality to be found in these trackless desert regions. I believe you will agree with her own motivation for writing "The Land of Little Rain" after reading it: "...as one lover of it can give to another."