The Hand Behind the Mouse : An Intimate Biography of Ub Iwerks

By Leslie Iwerks and John Kenworthy

Book Overview

Come meet the man you have known for all of your life! You may not know Ub Iwerks by name, but you certainly know his accomplishments. Walt Disney's friend, partner, adversary and alter ego all rolled... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0786853204
• ISBN13: 9780786853205
• Release Date: April 2001
• Publisher: Disney Editions
• Length: 272 Pages
• Weight: 1.26 lbs.
• Dimensions: 1.0" x 6.5" x 9.5"
• Grade Range: Preschool to Postsecondary

Customer Reviews

the hand behind the mouse

an outstanding documentory by a son about his father who had a major impact on the animation world. Some of this history I remember and I found very reminisant. A must read for Disney fans.

a great biography, a better story.

Who's heard of Ub Iwerks? Not me before I read this book. After reading it I found out what most people who know anything about animation history already knew. Ub came up with the character design and early personality for Mickey Mouse. But there is more to this book than that. Its a great story about 2 artists with different strengths who met at a Kansas City Ad Agency before anyone even knew what animation really was. Together they started an failed at many things (at one point the broke and out of work Walt Disney LIVED at Ub's house). After being burned more than once (even by each other!) anyone would have understood if either of these two would have given up and moved into another industry. Thank goodness for us they didn't. If I had the cash I would option this book for a movie.

Can I please have some more?

I read this book over three months ago and am still thinking about it and still longing for more. This biography of Ub Iwerks, the orginal creator of Mickey Mouse, is a must read for any Disney fan or fan of animation and its history. This book details Iwerks relationship with Walt Disney, their falling out and subsequent re-union. Iwerks' contributions to animation and other genres of film are large and should not be forgotten. Iwerks had a hand in all phases of Disney (and other studios') production from animation to live action to work within the themeparks. I look forward to purchasing the VHS that accompanies this book so I can catch a glimpse of some of his early work on film and have already purchased Disney Treasures "Mickey Mouse in Black & White" so I can see all of the old black and white shorts that are described in this book. A good book sparks your interest in other things and this book has done an excellent job of making me want more, more, more.

Very interesting for Disney historians...

If you are into Disney history - this is a must have.It's not a 'big' book, and doesn't have many pictures - but it's the text that counts - and you can see the 'missing' pictures in many other - pictorial Disney - books.If only the video was bundled with it...

Vindication at last for "animation's forgotten man..."

Walt Disney often liked to say to interviewers, waving a hand dramatically toward his vast animation studio, "Remember--this was all started by a mouse." True enough--but who created "the mouse?" If you think it was Walt, go stand in the corner--and read this book. You'd think a man with a name like Ub Iwerks would have no difficulty being remembered, but his invaluable contribution to the Disney studio is buried in dusty archives. His cartoons as an independent now occupy the bottom of the discount video bin at Wal-Mart. Animation historians who do mention him portray him as a humorless glorified garage mechanic more interested in tinkering than the art of animation. Except, that is, for John Kenworthy. Thanks to Kenworthy (with the aid of Leslie Iwerks, Ub's granddaughter) for the first time we get a much clearer, fairer picture of the man who is an unquestioned film-making genius. Without Ub Iwerks, we discover, not only would there have been no Mickey Mouse, there might have been no Disney studio. Walt, only a fair animator himself, needed Iwerks' incredible animation talents during the studio's formative years. (Iwerks animated the first Mickey Mouse cartoon, PLANE CRAZY, by himself in two weeks--a rate of 700 animation drawings per day!) Without Ub, Dick Van Dyke and Julie Andrews could not have cavorted with animated penguins, Donald Duck could not have ogled a sexy Latin senorita, and Tippi Hedren could not have been attacked by a flock of manic birds. (Didn't know he'd worked for Hitchcock as well as Disney, did you?) Iwerks' patented "travelling matte" process made those things possible. So why is Disney lauded while Iwerks is nearly forgotten? Two reasons, according to Kenworthy. First, the fundamental nature of the two men. Walt was a ruthless self-promoter with an innate sense of what the public wanted--Iwerks, a painfully shy, modest loner who found solace in esoteric pursuits. Second, their approach to film-making. Disney sought to attain the illusion of reality through the personalities of his characters, while Iwerks chose to do so through technical advances. Therefore, everyone remembers Goofy, Donald Duck et. al. while Iwerks' independent creations, Willie Whopper and Flip the Frog, are footnotes in animation history. These differences drove a wedge between the two men, causing Iwerks to split from Disney and form his own studio, which he struggled to maintain for ten very frustrating years. He failed, but not from lack of effort or imagination. He was a true "renaissance man", mastering everything from animation to sailing to archery and even bowling, moving on to the next challenge after conquering the one before. Animation was just one of those challenges, Kenworthy says, and far from the last. He would continue to find new areas to conquer to the end of his life, earning two Academy Awards for his technical work along the way. (Most of his greatest achievments were for his old friend Disney, to whom he returned in 1940