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Paperback The Book Thief Book

ISBN: 0375842209

ISBN13: 9780375842207

The Book Thief

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Format: Paperback

Condition: Very Good

$4.69

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Book Overview

DON'T MISS BRIDGE OF CLAY , MARKUS ZUSAK'S FIRST NOVEL SINCE THE BOOK THIEF . The extraordinary #1 New York Times bestseller that is now a major motion picture, Markus Zusak's unforgettable story is about the ability of books to feed the soul. Nominated as one of America's best-loved novels by PBS's The Great American Read . When Death has a story to tell, you listen. It is 1939. Nazi Germany. The country is holding its breath. Death has never been...

Customer Reviews

11 ratings

One of my favorite books!

This book is well written. It manages to blend the growing pains of aging and the effects of war seamlessly. I would highly recommend!

Good story

This is such a good book. Death being the narrator of the story really got me as the reader to view things differently. There were unnecessary bad words and phrases so I really didn't enjoy that part. It had me in tears several times especially at the end

Thanks

I loved this book. The perspective chosen by the author is unique. It promotes alot of thought

Outstanding

This book is so beautiful. Highlights how cruel man can be AND how wonderful man can be. Should be a required read in schools.

I couldn’t get into it

I attempted to read this book but the book is written in a very different way, apparently the point of view is death. It was very confusing for me and I never finished it.

Excellent

story good, condition okay.

i received the book about a week upon ordering. the previous owner annotated it, but i scribbled them out. good as new. would recommend buying.

The Word Shaker

THE BOOK THIEF is a beautiful and carefully worded story, following four years in the life of young Liesel Meminger, a poor German girl who finds herself separated from her six-year-old brother (who dies) and her mother and father (taken away by the Nazi's for being a communist), and fostered to Rosa and Hans Hubermann. Arriving at the Hubermann's, nine-years-old and already burdened with great loss, Liesel forges a deep bond with her Papa, Hans - a man with a many-roomed heart - who sits with her at night when her nightmares force her awake with screams. It is during these nights that Hans teaches her to read, and they begin with the first book she ever "stole": The Grave-Diggers Handbook, a book that fell out of the pocket of a fourteen-year-old grave digger who dug the grave for her brother. Like a kitten who finds comfort at the teat of a sow after losing its mother, Liesel begins to find comfort in words. The story is narrated by no less a personage than Death, although this Death is sans hooded-skull and scythe. Indeed, we learn little more about Death than he is not what we perceive him to be in our Halloween imitations, and very good at his job. Given the setting for this story, we are guaranteed of the chance to evaluate Death's job performance. Zusak writes with a deft, poetic hand, his descriptions unconventional and mesmerizing. Rosa Hubermann is "a small wardrobe with a coat hung over it". A woman's mouth has teeth that elbow each other for room. A boy: "His tie is a pendulum, long dead in its clock." These images jump from the page and give us a clearer picture of what we're seeing than if Zusak had spent hours describing the tiniest detail of Rosa Hubermann's body. Along the way, Liesel shares her interest in words, and in no place is that felt more potently than in her relationship with Max Vandenburg, a Jew who her parents hide in their basement. Max arrives nearly dead, and the much younger Liesel finds herself captivated by him. When the cold in the basement pushes Max to the brink of death, they move him to Liesel's room for (I believe) eight days, where Liesel brings him small mementos and reads to him while he fights for life (and once against Death itself!). In turn, Max writes for her - and these books-within-a-book are more touching and meaningful, more full of love and hope while not betraying the slightest hint of over-dramatization, than anything I've come across in years. Indeed, if this story had been only about Liesel's relationship with Max, it would have been an enormous success. It may also have been more widely read - I suspect that the length of the book and the immediacy present in Max's story but not as equally present in other sections, put some people off. Before I read the book, I looked at the negative reviews (of which there are four). One review commented that the book felt like "work". Reading Hawthorne can be work, too, but I always feel the better for having read him.

Magnificent Story

Liesel Meminger is a Book Thief, living with a foster family in Germany during World War Two. Torn from everything she's known, her foster father shows her the power of words as the two of them share late night reading sessions of The Grave Digger's Handbook. Her love of books ties her to others, including the mayor's wife and Max, the Jew the family hides in the basement. My own words escape me as I try to recount the beauty of this book in a short review. Rarely have I read a book as moving, as profound, as this one. Narrated by Death, this story is one that crawls under your skin and reverberates your soul with its images of Nazi Germany, friendship, and loss. The images stirred through Death's telling are so vivid, so wonderful, so tragic. Zusak has a masterful command of language and I was astounded by the way his words brought Liesel and her world to life. We follow Liesel over the years as she learns the true meaning of family through her caring new Papa and her friendships with Max and Rudy, the boy next door who idolizes Jesse Owens. Just a small list of images that will stay with me forever: +Liesel reading to the neighbors sitting terrified in a basement waiting for the bombs to fall around them +A snowball fight in a basement +Mama arriving at school to "yell" at Liesel +A boy with candlelit hair standing up to a Nazi Youth Leader +Death gathering up the souls of children softly +The story of a Word Shaker +An accordian player accepting a cigarette as payment There are not enough words within me to express the beauty of this book. It will move you to laughter and tears, often at the same time. This one is a keeper that I will revisit frequently in the future. It has changed my soul. Highly, highly, highly recommended.

Astounding

Very rarely a book comes out that steals my breath away. The Book Thief, by Markus Zusak is a revelation. Narrated by Death, this story follows Leisel as she steals books in Nazi Germany while she and her best friend Rudy discover the power of words, language and friendship. Zusak's writing is mesmerizing; it's sarcastic, emotional, sophisticated and wondrous. If you only read one book this year, read this one. Share it with your friends and family. I don't expect to read anything better this year, or next year either.

Powerful, moving, and remarkable

"A human doesn't have a heart like mine. The human heart is a line, whereas my own is a circle, and I have the endless ability to be in the right place at the right time. The consequence of this is that I'm always finding humans at their best and worst. I see their ugly and their beauty, and I wonder how the same thing can be both." So muses the narrator of Markus Zusak's powerful and moving new novel, THE BOOK THIEF. As you might guess, this is no ordinary narrator. The contemplative first person guiding you through this book is Death, an at-once fitting and ironic vanguard for a tale that both celebrates the power of words and agonizes over the consequences of their use. Set against the tragedy-stained canvas of World War II, Death tells the story of young Liesel Meminger (the eponymous book thief) growing up in Nazi Germany under the watchful eye of a staunch foster mother and kindly foster father who teaches her to read. She attends meetings of the BDM, a youth group aimed at indoctrinating young girls into Hitler's ideology. She plays soccer with the boys on her street, holding her own in any disputes that arise. And all the while, the dreams of her dead brother haunt and goad her into a fascination with reading and words that inevitably leads to her life of crime. It is a meeting with Max Vandenburg, a 24-year-old Jewish man being hidden in Liesel's basement by her compassionate foster parents, that alters the course of Liesel's life. Max, too, is haunted by nightmares of a family he lost in the harrowing aftermath of Kristallnacht. Together, Max and Liesel discover a shared love of words that leads to a decisive understanding about the role words play in both bravery and cowardice. Each, in their own way, sets out to use this knowledge to shape the world around them. While other writers have employed Death as a narrator, Zusak makes his own indelible mark on the technique in the dimensions he gives to the character. Death is simultaneously dispassionate about his work and the impact it can have while striving to understand humanity's resilience. Death boasts an omniscience of what will happen in life but also a naivety about what can happen in the human heart. In the ultimate expression of his dichotomous theme, Zusak creates a touching love letter to books and writing, framed in arguably the most horrific period in human history. But his greatest triumph is delivering a reminder that no writer enters this world quietly. Writers are born of eruptions and detonations, and the truly exceptional ones, like Zusak, continue to channel these explosive energies to craft a truly remarkable book that will be admired for generations. --- Reviewed by Brian Farrey [...]

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