Sound Unbound: Sampling Digital Music and Culture

by Paul D. Miller and Roy Christopher

If Rhythm Science was about the flow of things, Sound Unbound is about the remix -- how music, art, and literature have blurred the lines between what an artist can do and what a composer can create.... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0262633639
• Release Date: March 2008
• Publisher: The MIT Press
• Length: 432 Pages
• Weight: 1.57 lbs.
• Dimensions: 9.0" x 1.0" x 7.1"

Customer Reviews

A Worthwhile Purchase.

Great Book. A lot of intelligent essays on very relevant topics. As someone who enjoys sampling digital music, I find it very helpful to hear what my peers are thinking about the varying issues surrounding the activity. Some ideas are new to me and get my gears spinning, some of them are problems I've wrestled with myself, such as the moral dilemma embedded in the digital sampling culture. Is it thievery? Should laws be enacted to punish it? Should we do it at all, out of respect for the original artist? Some essays are more difficult to follow on account of references to so many artists and their works that I am unfamiliar with. However, others are a quick and enjoyable read that are pleasantly easy to comprehend, while still no less important to the book as a whole. Again, great read.

Sounds good, reads even better.

This book is excellent. It comes with a a CD of some really excellent mashup too. I've really enjoyed the differnt writing styles and the great anecdotes that present themselves in this compilation of what is essentially a book of post-graduate papers on music and it's evolving relationship with the world. Delightfully rich with first person experience and gives you something to listen too in the background.Yummy for my sonic tummy.

Sound Has Never Transvered at Such Speeds!

Sound Unbound brilliantly details the explosion of culteral diffusion in the 21st century as a result of advancements in technology. The book consists of several excellently written essays whose authors range from rappers to scientists, sampling various viewpioints from one another. DJ Spooky successfully conveys how both in the past and today, now more than ever, art is naturally derrivative; stemming from one source after another.

What a trip!

I just finished this one. If you're looking for insight from the myriad influential contributors, you'll find that and much more here. The book's themes run deep, weaving together music history and theory with meditations on technology, perception, and cultural zeitgeist. I went in curious how the ideas of Brian Eno, Bruce Sterling, Cory Doctorow, and Chuck D would cohere under the editorial hand of DJ Spooky. Color me surprised - it's an enlightening trip! A must-read!

DJ Spooky's Allstar Essay Compilation on Digital Culture & Sampling has much food for thought and

This book shows off Paul Miller aka DJ Spooky's two biggest strengths, the mashup and the teamup. The big name roster didn't deliver scraps; they all provide thoughtful and entertaining essays, for example Jonathan Lethem's essay also features the key to that same essay showing where he "plagiarized" just about ever phrase in the proceeding few pages. Saul Williams, provides a pensive meditation on words as magic, something I was more used to hearing out of Grant Morrison or Alan Moore, but Williams is sincere and Smart. And the inclusion of unsung geniuses like Alex Steinweiss, the inventor of the record jacket (before him there was no art on albums, you only saw their spine at the store) pushes it over the top and into the zone. The included CD is way cool in and of itself; its easy to poopoo such ambitious works, but Spooky lays it all down with love not pretense, throwing snippets of James Joyce, Gertrude Stein, Allen Ginsberg, William Burroughs -- all actual spoken word from the Sub Rosa archivce over some avantgarde classical like John Cage, and then enriched by textured groovy beats... Spooky's having a ball and sharing the fun