Sister Brother

by Brenda Wineapple

Book Overview

Devoted, eccentric, and compelling, Gertrude and Leo Stein were constant companions, from childhood to adulthood, until, finally, they spoke no more. Americans, expatriates, and virtually orphans,... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0399141030
• ISBN13: 9780399141034
• Release Date: April 1996
• Publisher: Putnam Adult
• Length: 514 Pages
• Weight: 2.15 lbs.
• Dimensions: 1.8" x 6.5" x 9.5"
• Age Range: 18 years and up
• Grade Range: Grade 12 and higher

Customer Reviews

The Ego that was GERTRUDE

This book doesn't present any great revelations and certainly won't surprise those already familiar with the egomaniacal Ms. Stein but for anyone who has suffered the pains of sibling rifts this is any interesting read. Both brother and sister are tortured and pathetic in their own ways, Gertrude for having stubbornly believed she was a literary genius (a delusion I doubt fostered by very many today with the value of her literary contributions negligible) and Leo for having simply been a neurotic posterchild who couldn't go on with his life after their separation. This is a better book still because it does not focus on Gertrude's non-existent literary legacy but instead chooses to reveal two lives both richly interesting and complex and yet with a bitter vulnerability.

A wonderfully interesting and provocative biography

Brenda Wineapple's SISTER BROTHER tells the story of thedevelopment of a remarkably close and rich relationship betweenGertrude and Leo Stein. Gertrude -- writer, esthetic innovator, feminist precursor-- and her brother Leo -- art collector extraordinaire, scholar manque--were a remarkable pair. From their childhood in a family bereft of its mother, through years in the heady intellectual atmosphere of turn-of-the-century Harvard and Johns Hopkins, Leo and Gertrude depended on one another and grew along similar paths. When they settled in Paris, their apartment became the center for all who wished to know about modern painting: about Cezanne, Picasso, Matisse, all of whose paintings hung in profusion on their walls.But what hangs together-- whether brother and sister, or a great art collection -- can come undone, and it is the glory of this joint biography that Wineapple so carefully and tenderly traces the forces -- sexual appetites and obsessions, intellectual competitions, the powerful dialectic between dependence and autonomy -- which led to an absolute rupture between Leo and Gertrude, a rupture so complete that they never talked or wrote to one another again, for a period of thirty years. In those thirty years Gertrude became a central force in modern literature, while Leo subsided from the world into fad diets and unfinished projects. And yet, and yet: Wineapple does not sit in judgement, and it is the triumph of this book that Leo's many failures are as human, and as touching, and Gertrude's many successes: the reader ends up seeing ythe weaknesses of both, yet greatly admiring both. The subject of the book, finally, is not Gertrude and Leo, but the strange, tender, and torrential emotions that run between brothers and sisters, and the many routes through life which lead either to social failure or social success.