This is a degenerate book. I did not want to write a traditional one, nor that it was pure experiment. What's more: I wanted it not to be a book, but at the same time it had to be contained in the book format to reach the reader. In the five centuries of life that the printing press has, all the formulas that the book concept allows have been tried. So I opted for a mix of genres and structures to produce it: I chose those that still tend to summon me as a reader because they are kind. They are those formulas that allow readers to get lost between the pages, to abandon, to try again, not to worry about following a pre-established order, to reread. Be surprised to find new meanings to what you have already read. So this book has taken everything it saw fit in the aphoristic way; of the transcription of the recorded voice, the oral account, the conversation, the testimony, the personal diary and the rambling, and he has mixed it without following a recipe, but in a methodical way. So that the writing did not become an authoritative voice, I appealed to the recorded dialogue (and then unrecorded, although edited in such a way that the voice of my interlocutor has left no trace other than an invisible hole).
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