Scarlet Sister Mary

by Julia Peterkin

Book Overview

Scarlet Sister Mary is a 1928 novel by Julia Peterkin. It won the Pulitzer Prize for the Novel in 1929. The book was called obscene and banned at the Gaffney, South Carolina public library. The... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0820323772
• ISBN13: 9780820323770
• Release Date: January 2004
• Publisher: University of Georgia Press
• Length: 376 Pages
• Weight: 0.98 lbs.
• Dimensions: 0.9" x 5.0" x 7.9"

Customer Reviews

Wanting more

I read Scarlett Sister Mary and was hooked. I have been trying to find books written by this author. Was glad to see some of her work here on this site. This site has become my first go-to on any title or author I am interested in and have yet to let me down. Titles may be out of stock nonetheless I am more of a actual book person then a Kindle. Millions of tiles and they have a banned, Pulitzer prize winning book of ages. The way the book was written you would never tell the characters were living on a plantation. It is as if she sat on her front porch and seen the slaves and created stories of their life's by watching them. (As an amateur writing I find myself doing that as well). It then becomes a soap opera that sticks with you but ends abruptly. Does Mary get married Deacon Andrew? Does June or July come back? Does Big Boy marry her daughter or did education make her daughter to up pity? Also how many children did Mary actually have? Did what Cinder did to her change her outlook on men? Whew! a sequel would have been great! Thank you!

Great Read re Gullah People

Totally absorbing, wonderful read about the South Carolina Low Country and it's Gullah people. I loved it.

A Love-Charm

This delightful story by Julie Peterkin caught the eyes and surely the hearts of the committee to garner the Pulitzer Prize in 1929. Mary has the misfortune to become besot by July, the biggest rascal in the Quarters. The love-charm that Old Daddy Cudjoe makes for her comes too late to win back July as he drops out of sight with Cinder and is lost from Mary's life for the next twenty years. Mary goes on to be the Venus of the Quarters eventually having nine children by an untold litany of befogged lovers. A word of advice Mary gives to Seraphine, her eldest daughter, is telling of her view of men. "But don' never let yousef tink on one man all de time. It'll run you crazy if it don't kill you." After the death of her first-born son, Unex, Mary undergoes a religious conversion and welcomed back into the Heaven's Gate Church. But she secretly holds something in reserve.

A nervy and literary tour de force in American writing.

Written by former plantation mistress Julia Peterkin, Scarlet Sister Mary is a novel of intellect, individualism, coltish word play, tradition and most importantly, respect. The novel, like, Their Eyes Were Watching God and The Color Purple, is written in an old southern vernacular, and it tells the story of Sister Mary or Si May-e, a young and sprightly woman at the novel's start. It is some time after Lincoln's Emancipation Proclamation, and freedon (used loosely, historically speaking), has come for those individuals who were field slaves or indentured servants. Their opportunity to flee has come, to seek opportunities for self and financial betterment. For some, however, betterment is not up north or anywhere else in the country; it is exactly where it is: the native coastal terrain of South Carolina - the setting for the novel. Religion, faith, folklore, generational history and magic are the ties that bind the folksy and hard working men and women of the Quarters. Dignity and peacefulness does not come from being nomadic, as was in the case of the pioneers to the Midwest and far West; it is closer. It is in the hoeing, the field labor, the mud between the crevices of the rough and crackling flesh. It is in the earth. To combat the joyous harshness of the work is love and a family. And thus, Sister Mary comes into the picture; she is at the marrying age, and July, her suitor, is ready to be her protector and provider. Or so one would believe. Using faith in lore and mythology, Sister Mary's marriage is almost doomed from the start: "'Do, Master, look down and see what a rat is done!' Mary's heart flew up into her mouth. Cold chills ran over her as she ran to see what happened. There it was, a great hole gnawed deep into the bride's cake's tender meat...she fell into bitter dumb sobs...Such bad luck was hard to face." (p.29) And it only advances to something worse via the aid of a love charm and another woman's insatiable lust for the groom's affections. Time passes, and Mary is all alone with her son Unex (shortened for Unexpected). A suffocating cover of depression smothers Sister Mary, and as time heals old wounds, Mary rises into a life of self-satisfaction and sexual gratification. She enters the dominion of sin and religious transgression; she is altered in the eyes of those around her. From Sister Mary, she becomes Scarlet Sister Mary - red with hungry passion as the adjective implies. She has a flock of children, but they are not heart children, as in the case of Unex, but they are passion, lust children. Redemption is nil, and her destiny upon her final breath (in the eyes of her brethren) is clearly understood; her spirit, her soul, is scudding rapidly to the flaming and billowing sulphur pitts of hell. Can redemption and acceptance ever come into her grasp? Will peace ever rectify the wrongs incurred in her heart and mind? Her somewhat sardonic life philosophy and world-weary actions narrow down the chances for hope. But that hand-

Enlightening, Touching (and Misleading?)

Scarlet Sister Mary is the story of a free-spirited woman's life in the post-Emancipation South. It is unique in its portrayal of an African-American community as capable of independent existence in the South at that time. The culture of the community is portrayed most interestingly and permeates through the religious, spiritual and even medical undertones of story. While Peterkin tells a poetic tale of an independent, strong, rebellious woman (of whom you grow dearly fond, and cannot help but cheer her on in her resistance), one finds it hard to wonder how accurate a picture Peterkin paints as one who viewed African-Americans in the South rather than lived as an African-American in the South. But all in all, this book is a must read (and if you attempt to read it as you would imagine people read the book when it was first published, you have a most scandalous story of taboo story before your eyes!)