R.U.R.

by Karel Čapek

Book Overview

One of the classics of twentieth-century theater, this brilliantly conceived and exquisitely executed play by Czech playwright Karel Čapek (1890-1938) looks to a future in which all workers are automatons, or "robots" -- a word this play made a permanent part of the language. The robots revolt when their manufacturing formula is changed to make them more irritable and to give them the human ability to hate, and the resulting catastrophe makes...

• Format: Paperback
• Language: English
• ISBN: 0486419266
• ISBN13: 9780486419268
• Release Date: August 2001
• Publisher: Dover Publications
• Length: 64 Pages
• Weight: 0.15 lbs.
• Dimensions: 0.3" x 5.2" x 8.3"
• Age Range: 14 years and up
• Grade Range: Grade 9 and higher

Customer Reviews

A excellent addition to anybody's library!

This is definitely a great read. It's got enough 'depth' despite it's small package to interest just about anybody. It surprised me how much Capek touched upon present day issues in a volume authored over 80 years ago.

I have thought some of Nature's journeymen had made men

and not made them well, they imitated humanity so abominably. Hamlet, Act iii, scene 2. The ultimate problem in Karel Capek's extraordinary play, R.U.R. (Rossum's Universal Robots) is that the robots created by humanity's journeymen imitated humanity so abominably well. Written in 1920 and first produced in 1921 RUR opened to critical worldwide acclaim. Although RUR is best remembered for introducing the word robot into the lexicon (the word was coined by Karel's brother and some time collaborator Josef Capek) it is more a somber reflection on humanity than on the emergence of robots. The play opens on an unnamed island at some point in time after 1920 where lifelike robots are being produced by Rossum's Universal Robots. The officers of the corporation meet a young lady, Helena, who has come to the island on behalf of the League of Humanity, determined to help liberate these robots from the inhumane working conditions that confront them. The executives fill Helena in on the history of the company, particularly the father-son team of Rossums that developed the first robots. Capek makes it a point to describe the difference between the father and the son. The father was a "scientific materialist" whose desire to create an imitation of man grew out of his wish to prove that God was unnecessary. The son thought this was both silly and inefficient and sought nothing more than to produce robots capable of working non-stop. Each of the following scenes takes place at some unspecified point in the future. The millions of robots produced take on all the industrial and agricultural work performed formerly by men and women. This leads to unintended consequences. First, the lack of necessity (the need to work) in everyday life leads to a few worker revolts. This causes various governments to arm the robots to quell the resulting riots. Further, these governments decide that all future wars will be fought by robots. As one might imagine, a well-trained robot-militia is not conducive to the future health and welfare of the human race. Second, the lack of work and the general lack of purposefulness of life render humans incapable of reproducing. As the play nears its end, the robots have united and have set out to destroy the human race. Clearly, the robots have learned to think for themselves and as such they have taken on (or evolved into) something that more closely resembles the human race. The fact that the robots behave so abominably does not belie this similarity to their human creators. The problem the robots face is that they do not have the inherent capacity to reproduce (they have a shelf-life a bit shorter than is average for humans) and they have inadvertently destroyed those humans that know how to create more robots. They are faced with extinction just as surely as the humans they have destroyed. As the play concludes the sole remaining human, Alquist, spots two robots whose clear affection for each other indicates th

Great story about greed and robots

Looking for the first appearance of the word 'robot'? Look no further! Czech author Karel Kapek coined the term in this classic play. It is not only the first appearance of the word 'robot', (though, not the first appearance of a mechanical man), it is also a great sciene fiction story (although 'science fiction' was not a widely used term at the time).Essentially, the story surrounds a manufacturing company that makes robots, and continues to make them in mass quantities even with the looming suspicion they are out of control. The robots revolt, and humanity is all but destroyed and replaced. Very humorous and biting satire, R.U.R. should satisfy virtually any taste for a well written piece of fiction. Essential for sci-fi fans, and this edition, printed beautifully by Dover, at a very small price, is well worth obtaining ownership and then some!

A classic play introducing robots.

This science fiction play by the Czechoslovakian writer Karel Capek (1890-1938) introduced the word "robot" (from the Czech word "robota" for work). Any serious student of science fiction should read this play. A factory on an island produces robots (actually, in today's terminology, the products being made by this factory are androids, not robots) to do man's labor and to grow his food. But, as the years go by, governments misuse the robots, having them replace soldiers. Robots begin to be used in wars everywhere. They rebel and man is exterminated. However, the robots don't know how to build new robots and discover that they are doomed to extinction as well. But, the sole two robots of a later model discover beauty, compassion, and love. They become a new Adam and Eve. Interestingly, one of the characters in the play builds robots so that man won't have to work. Yet, he doesn't build any to do his work since it is something he enjoys doing.