Six masters of pulp fiction at its most powerful and suspenseful best -- John MacDonald, James M. Cain, Donald Westlake, Lawrence Block, Mickey Spillane, and Harrington Whittington -- distinguish this new anthology compiled by the award-winning editors of its two popular predecessors, American Pulp and Pure Pulp. Like them, Pulp Masters culls its tales -- in this case, six classic novelettes and one complete novel -- from the golden age of magazine fiction in the first half of the twentieth century. The writers included in this volume in time emerged as giants in the field of crime fiction, and the stories in this volume demonstrate why. Their voices fresh, their talents raw and original, with novelettes like "Ordo," "Stag Party Kill," "The Embezzler," and "Everybody's Watching Me," Westlake, Block, Cain, and Spillane both heralded and shaped the crime story as we know it today. So did "the King of the Paperback Original" -- Harrington Whittington -- represented here by the novel based on his pulp short story "So Dead, My Love."
This is a very enjoyable set of crime stories from several of the most famous names in the genre. Contained within are six stories: five longish short stories (or novelettes) and one short novel. I have read very little of these types of pieces before, so I was unable to compare them to other examples of this genre. But as they say, I may not know trashy pulp novels from the middle part of the Twentieth Century, but I know what I like, and this collection is well worth reading.As I said, I don't know much about written crime stories, though I have seen my fair share of the films from this era. There's something very enticing about these stories of gangsters, cops and private eyes. Every woman is a blonde and every case has a solution. These aren't the most realistic stories in the world, but you'll have to go far to find more enjoyable ones."The Embezzler" by James M Cain, 1938 - This is quite an interesting story set in and around a city bank. Money is missing, and a bank employee must figure out who is embezzling the money and how. A nicely realized romance between the protagonist and the wife of the suspect helps break up the action pleasantly. The ending feels a bit contrived, as if the author was forced to tack on a happy ending, but the story itself is very entertaining."Ordo" by Donald E. Westlake, 1977 - An interesting character study of a woman who leaves town and becomes a world-famous movie star. It's told through the eyes of a man she was married to before she became famous. It's a great story that will keep you intrigued the whole time. Fairly simple concept, but the execution raises up the quality of the entire piece."Stag Party Girl" by Lawrence Block, 1965 - A whodunit that doesn't quite live up to its full potential. The premise and investigation are fairly interesting, but the ending falls a bit flat."College-Cut Kill" by John D. MacDonald, 1950 - This one seems to be structured very similar to the previous story, though it has the advantage of being slightly better executed. The killer's motivation is far too similar to that of the murderer in "Stag Party Girl". It was probably a mistake to include these two stories next to one another in a collection. Placing a story or two in between them would helped to shadow the similarities."Everybody's Watching Me" by Mickey Spillane, 1953 -- A story of established gangsters who fear news of the arrival of one of the deadliest hit-men in the country. I didn't care for this story. While the premise is sound enough, there are far too many factions to keep track of in such a small space. There are two difference police departments, several groups of gangsters, a drug supplier, a hired killer, a newspaper reporter, the narrator, the narrator's love interest and his mysterious informer. Perhaps if this was a longer piece there would be more room to develop all these characters and sub-plots, but as the story is, they are just too underdeveloped and confusing. The ending
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