An exploration of the surrealist artists, musicians, and performers who forged a unique experimental arts community in Alabama
Pataphysics and Surrealism in Alabama: A Cultural History is the first book to uncover a remarkable chapter in American experimental art, music, dance and writing, tracing the activities of a creative group known as Raudelunas, the music collective Transcendprovisation, and the surrealist association initially called Glass Veal: a series of interrelated artistic and cultural movements that originated in Tuscaloosa and Birmingham, Alabama, during the 1970s. Drawing on extensive archival research and firsthand accounts, including interviews with twenty-six participants in these groups, sound recordings, publications, and other primary sources, Steven Harris traces the history of a vibrant creative community that began when three University of Alabama students started improvising music together and encouraged others to join them.
From these sessions emerged a dynamic network of performers and artists whose work challenged conventional boundaries between disciplines. Inspired by musical improvisation, surrealism, and pataphysics, participants embraced spontaneity and absurdity as they developed a positive expression of creativity that was both uniquely Southern and sharply distinctive from the dominant culture that surrounded them.
Harris situates these movements within broader histories of Alabama, Dada, pataphysics, surrealism, and improvised music and dance while charting their lasting influence on the artists who participated in them. Featuring a timeline of major events, biographies of key members, and an anthology of representative writings, Pataphysics and Surrealism in Alabama is an essential contribution to the history of American experimental culture.