La Sagouine

By Antonine Maillet

Book Overview

The premise is deceptively simple: a dirt-poor charwoman and former prostitute leans on her mop and tells her life story. But what a story As she reminisces and rants, telling stories about herself, her friends and neighbours, the priest and his church, and every other aspect of life in her village, she is actually telling the story of Acadie. More than 30 years after its first publication in English, and five years since Wayne Grady completed this new translation, La Sagouine is available in this new, updated edition. Faithfully interpreting Antonine Maillet's distinctive text, Wayne Grady brings out the cultural richness of the language as well as La Sagouine's strength of character and irrepressible humour. La Sagouine launched the careers of both Antonine Maillet and the actress Viola L ger. With sales of over 100,000 copies, it brought the existence of Acadian literature to a wide and admiring audience.

• Format: Paperback
• Language: English
• ISBN: 0864928688
• ISBN13: 9780864928689
• Release Date: November 2015
• Publisher: Goose Lane Editions
• Length: 142 Pages
• Weight: 0.45 lbs.
• Dimensions: 0.4" x 5.5" x 8.4"

Customer Reviews

Life remembered from a rocking chair

"La Sagouine" is a series of monologues written by Antonine Maillet in the Acadian French dialect today called Chiac (shee-ak). The main character, La Sagouine, a poor humble cleaning woman, recounts episodes of her life in her small village. While rocking back and forth on stage she reflects on many aspects of society, often pointing out class differences between rich and poor. Maillet uses La Sagouine's acceptance of her lot to stir outrage in the audience. For example, La Sagouine accepts as perfectly normal that at a public event like the parish Christmas fair, rich children get new toys while the poor get broken hand-me-downs. The opening sentence immediately defines the character: "J'ai p'têt la face nouére, mais j'ai les mains blanches", or in English "I maybe got a black face, but I got white hands". Her dirty face indicates her low caste while her white hands represent her menial status as a washer woman and also symbolize her engaging honesty. The original one-woman plays were created on stage by actress Viola Leger and were a staple of French Canadian television in the late 70s and early 80s. In writing a dialect, Ms. Maillet surpasses, in my mind, Margaret Mitchell's black dialects in "Gone With The Wind" or Emily Bronte's Yorkshire dialect in "Wuthering Heights". The book is short but, in the original French at least, it is long to read because we can't speed read if we want to savour the rich sounds of Chiac. Vincent Poirier, Tokyo