Juneteenth

by Ralph Ellison and Hope Willis Rathbun

Book Overview

"Ellison sought no less than to create a Book of Blackness, a literary composition of the tradition at its most sublime and fundamental." --Henry Louis Gates, Jr., TIME From the renowned author of the... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0394464575
• ISBN13: 9780394464572
• Release Date: May 1999
• Publisher: Random House (NY)
• Length: 368 Pages
• Weight: 0.93 lbs.
• Dimensions: 1.5" x 6.6" x 9.6"

Customer Reviews

A Masterpiece

A novel about the truth as seen through the eyes of a fiction--indeed, the truth, to Ellison, was always suspect to the lie and again, as in the phrase the emancipation myth, where freedom wasn't given by the law but the law was only subject to the people who inforced it as truth, and thus Juneteenth, as the title of the last great work by an even greater artist, seems to be apt, for it suggests this dichotomy that Ellison was to work in all of his career. Always a symbolist at heart, Ellison demonstates in Juneteenth the potential of words to turn even the most innocent of scenes on its head, fleshing out the meaning of slavery in something so unrelated as a circus as when Daddy Hickman takes Bliss to the circus, and Bliss innocently asks how come the lions don't catch the trainer, and Daddy Hickman explains that the lions are mastered. And with that small amount of information, the reader is instantly transported into the real scene Ellison wants his reader to notice. Of course, the genius of all this is Ellison's use of the word "mastered" instead of "trained," as that one word becomes the window through which we begin to see the ritual of the circus as having the potential to speak to us about the deeper convention of race. And that is Ellison par excellent, for he is always using unrelated events to talk about other things. There are so many things that can and should be said about Juneteenth that I could never exhaust the subject. Not that I am trying to, but one thing is for sure, those who have an intimate knowledge of Shadow and Act, and Going To The Territory and of course Invisible Man will see the influence of those books on Juneteenth. In scene after scene, Ellison calls up his references like a bandleader calls on the Brass section to riff on the beat, to live in the music, and Ellison, in Juneteeth, is more than anything else, living inside himself, inside the basement of Invisible Man, inside all of the history of literature and once in a while he peeks out at us, peeks as from a glass darkly to see if it okay to come out and play.

Not Finished, but Neither Is the Fight Against Racism

Much of the attention surrounding this posthumously compiled and titled novel Juneteenth, has focused on it's unfinished nature. True, in many spots the prose is difficult and plot trasitions are hard to follow. However, Ellison's mastery of the language and his awareness of race relations in the US, make this novel, though unfinished, a poignant follow up to Invisible Man. Ellison, via Callhoun's splicing, delves into the possibilities for equality among races, and the hope that one day we might all, black and white, be led out of the bonds of slavery and into a glorious promised land. Unfortunately, in Ellisons rendering, that Moses is sick and dying, and desperately in need of remembering who he is and where he came from. The end of the novel, although it may be abrupt and full of more questions than answers, might actually be closer to the truth than Ellison might have hoped to achieve. It leaves us as readers to ponder who we are and what we think the outcome might be (infact the last of his notes suggests this kind of relationship of this novel to his redaers). Is racisim truly an eternal bond that we shall never be free of? As in the novel, the answer is up to you.

Genius on a level with Joyce's Ulysses

Of course, this book was difficult to read at times. Anyone who has read Invisible Man had to expect that. Nonetheless, there is a complicated genius that emerges in Ellison's life-work the same way Joyce's Ulysses rewards those who make it to the end. I tried reading this book at the beach, which was a mistake. I was more successful finishing it at home with a serious outlook, an overstuffed chair and long sittings. Whatever you do, don't quit in the middle.Ellison captures the ambiguity of racial and ethnic heritage in the identities of individual characters. While the large racial drama has played out through our country's history, individual players have lived in their own unique spaces within the play. Hickman and Bliss are exquisitely drawn examples.

Well worth the effort required to know.

Yes, his work is difficult to embrace and truly know. Yet, the effort is well rewarded. Perhaps the best method to know the work is through the audiotape read by Blair Underwood. One might say that Underwood does justice to this sometimes elusive literary masterpiece or, in balance, that this novel allows the expression of the the performance genius of Blair Underwood. This is a hard-studied, finely tuned work of art performed by this gifted actor. After having "studied" Invisable Man, I had learned that one simply does not read Ralph Ellison but must strive to understand genius and to "hear the rhythm and the beat". That is the attitude one must bring to Juneteenth. And then the rewards will flow. If nothing else, buy this tape presentation for Tape 2, Side B, where Underwood gives a remarkable performance of Reverend Hickman's explanation of the essense of the Juneteenth celebration. If I were an educator, I would make it a mandatory part of the curriculum.

Blair Underwood reading adds a resonance to Ellison's words

While the first (of four) tapes begins as a traditional "reading", the actor in Underwood soon emerges in response to Ellison's literary power. He "becomes" Reverend Hickman and you begin to visualize Juneteenth on the stage. Powerful rendition of a remarkable symphony of words.