The Thief's Journal

by Jean Genet

Book Overview

Writing in the intensely lyrical prose style that is his trademark, the man Jean Cocteau dubbed France's 'Black Prince of Letters' her reconstructs his early adult years- time he spent as a petty... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0802128270
• ISBN13: 9780802128270
• Release Date: August 2018
• Publisher: Grove Press
• Length: 272 Pages
• Weight: 0.55 lbs.
• Dimensions: 0.8" x 5.4" x 8.2"

Customer Reviews

Once again, lost in translation

Jean Genet was a thief and a thug and loved other men in a time when all of these things were expressly forbidden. This book was (mostly) written from his jail cell and is (mostly) about his interactions with other men. With that said, it is important to remember that he wrote in his native French and therefore everything has been translated into English. No matter how hard the translator tries, some of the nuances are lost. Some of this book I found dense and hard to follow, and I'm not exactly sure whether this was the author, or the editor, or the translator. But, overall, it is one of Jean Genet best volumes.

Jean Genet is a magician

Jean Genet suffers a lot, I think, due to popular culture...the fact that his works necessarily involve homosexual activities leads mainstream culture (including even university professors!) to marginalize him beyond all rational limits, and leads conversely, the gay community to celebrate him possibly a little too much...but that's just my opinion. The fact is that he's a master of language, and when he writes about almost anything, it's transformed into an incredible landscape of experience, thought, desire, motives. In most of his purely fictional works he acts as an omniscient narrator to describe exactly why the characters do as they do...and in a way that not only makes perfect sense, but also in a way that the reader probably never thought of. This work being mostly autobiographical differs, actually, not much. If all you asked of this book was to take you into the world of small-time crime and skid row activities of barely post world war II europe, you'll be more than happily surprised. If you demand more, direct transportation even, to the world he was living in, you won't be disappointed.

In The Age Of The Poet-Assassins

In Jean Genet's complex novel The Thief's Journal, the author has modeled his protagonist, Jean, on himself, and the loose, conversational plot after his own experiences as a young thief, drifter, and poet in thirties and forties Europe. 'Jean' is Genet's fictional recreation of himself; but readers should keep in mind that Jean's relationship to Genet is to some degree imaginative. The book provides an excellent illustration of how even when speaking or writing with as complete an honesty as believed possible, man is still caught in a process of creation, structuring, and discrimination-a process of fictionalization. Therefore, honesty, sincerity, and truthfulness always retain elements of artifice, and, as pure states, remain ideals only. Abandoned by his family as a boy, sentenced to reform school at sixteen, as a young man, Jean is still "alone, rigorously so," he lives "with desolation in satanic solitude." Realizing early that he is, in status and nature, completely at odds with the social order, Jean learns through trial and error how to care and not to care, how to make all possible outcomes to his actions reasonably acceptable. "Rejecting the world that rejected me," Jean exacerbates his position: identifying with his rejectee status, he feels it appropriate that he should "aggravate this condition with a preference for boys." Thus his homosexuality is at least partially an act of self-creation, part of his perverse desire to transgress the rules of order as broadly as possible. Jean decides he will henceforth admit to guilt whenever accused, regardless of the truth or the nature of the crime, and thus rob his accusers of the ability to jeopardize his fate. "Betrayal, theft, and homosexuality are the basic subject of this book," he says. For Jean, theft becomes a means of survival while simultaneously representing a daily blow against society. If caught and arrested, he readily throws himself into the homosexual life of the prison, making himself available to those in authority as well as to fellow inmates. Jean allows himself a somewhat desperate game of searching for a dominant male partner who is completely, impossibly powerful. Submitting physically and emotionally to men he believes meet this standard, Jean repeatedly proves himself the more powerful by betraying the men when he inevitably senses a definitive crack in his exaggerated conception of them. Once he has glimpsed some "inelegant," unforgivable portion of their imperfect humanity, his slavish masochism fades and sociopathic indifference replaces it: the abandonee becomes the abandoner and assassin. For Jean, a well-planned, keenly-felt personal betrayal is the ultimate show of toughness and "a handsome gesture, compounded with nervous force and grace." As in Genet's other novels, homosexual love and physical interaction is a given between all of the male characters--pimps, prostitutes, gamblers, gangsters, and thugs--each of whom has a theoretical set of rules and limi

Among my very favourite books

This book is mesmerising. The distinction between the beautiful and the obscene is folded inside out like a velvet glove. Abjection has never seemed so appealing.

More existential(?) than homosexual

I don't think I would categorize The Thief's Journal as Gay fiction. I would allign it more with existentialism/metaphysics in that Genet's sensibilities and motives lie in other areas than solely his own homosexuality. Genet seeks to travel deeper and deeper within himself in order to reject "your world" as well as its inherent value and morals systems. I think his own homosexuality is among one of the many plateaus or steps that he uses in his "journey". As he says, his life was open to his own interpretation; the signs were interpreted in his own way for his own purposes. Sometimes Genet's prose is heavy in that his lines are long and he uses run-ons separated by commas. He takes great care in his descriptions (necessarily so) such as the gob of white saliva in the corner of someone's mouth. The work is another bold gesture by a man who brings the reader as close to the author as is seemingly possible. Another reviewer here says to check out Celine. Make sure to read the editions translated by Ralph Mannheim, he's superb.

A brilliant, accessible intro to Genet

Genet's "the Thief's Journal" is to me his greatest novel-if that's whatyou want to categorize it as. The only reason I don't say its his greatest book is because of a wonderful book called "Prisoner of Love", and who knows what may turn up altho I doubt much of anything as he was so private and transient. Anyway, it clearly maps out the genesis of his artistic, sexual, and criminal life. For any gay male reader, it is essential, higher in priority than almost any other gay fiction. Of course, it is essential not just to gays but any serious reader. On a final note it is also quite accessible. so if you tried reading "Our Lady..." or others I think you will be pleasantly surprised and absorbed. If you like French novels of the forties you might also check out the writer Celine. He is quite caustic and brilliant and many of his novels are in English. For cultural referents, Todd Haynes film "Poison" wa in part inspired by Genet and John Waters named Glenn Milstead "DIVINE" from one of Genet's novels. So there you are