Poetry. Karla Kelsey begins with the sonnet--fourteen lines (usually!) that she's appropriated from a variety of sources, homophonically echoed, and playfully assembled. She then explodes each sonnet into a voluptuous prose poem, later erasing that into a sinuous, open lyric line. The aim of the book is not to execute a plan or fulfill a form, but to generate new modes of inhabiting a poem. The result is a work of lyrical constraint and romantic conceptualism.
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