Ziggy must be a part of me, because he feels as if he's been with me all my life. He kept popping up in one form or another in my work over the years. And actually, it feels more like I acknowledged... This description may be from another edition of this product.
Ziggy's abortive foray in world of hip-hop is a cautionary tale for toeless cartoon characters everywhere. Though assisted in the studio by such rap impresarios as Big Daddy Kane, Sir Mix-A-Lot, and the ugly guy from 3rd Bass, Ziggy's "Get Ziggy With It" was a mish-mash of conflicting styles, meaningless lyrics, and a curious tendency toward mandolin samples. Without the virtuosic production of Tom "Dre Money" Wilson, the album fails like a drowning mime...not "so-bad-it's-good," but merely "so-bad-it's-terrible." With the repetitive shout out, "Zig Zig, mack mack Schmig!" we feel a deep embarassment for an artist that, like David Hasselhoff, should have stuck to his forte.The $20 million "Get Ziggy With It" video for the album's title track and first single was the greatest failure since Ziggy's use of Rogaine. The opening scene, shot on the Sultan of Brunei's luxury yacht in the middle of the Ganges River, took 14 months to film and cost the lives of 12 different Ziggy stunt stand-in midget balding eunuch albinos (with no toes). The remaining 26 scenes had to be shot in Tom Wilson's cousin's rec room in Battle Creek, Michigan. The disjointed feeling of the video echoes Ziggy's entire putrescent late '90s repetoire.
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