Fish Head Soup and Other Plays

by Philip Kan Gotanda and Michael Omi

Book Overview

Freeze Frame takes a penetrating, often humorous, look at how Eskimos have been portrayed in nearly a century of film, from the pioneering documentaries of missionaries and Arctic explorers to Eskimo Pie commercials of the 1990s. Some of these works are serious attempts to depict a culture; others are unabashed entertainment, featuring papier-mach igloos and zebra-skin parkas. Even filmmakers who sought authenticity were likely to build...

• Format: Paperback
• Language: English
• ISBN: 0295974338
• ISBN13: 9780295974330
• Release Date: September 1995
• Publisher: University of Washington Press
• Length: 272 Pages
• Weight: 0.31 lbs.
• Dimensions: 0.8" x 5.6" x 8.5"

Customer Reviews

GO see these plays!

Barring that, get this book. While all four of the plays, Fish Head Soup, Yankee Dawg You Die, The Wash and A Song for a Nisei Fisherman, are strong, stirring, beautiful pieces, perhaps the most powerful of these is Yankee Dawg You Die. Although written over a decade ago, Yankee Dawg is absolutely timeless: the ethnic actor's eternal struggle of taking a demeaning, stereotypical role because it pays the rent versus refusing such a part for the sake of artistic integrity is a challenge all ethnic actors still face. ... Read Yankee Dawg -- better yet, go see it any chance you get (!) ... and pray that its premise does not remain relevant in the decades to come.

Why read a play?

No question, this is a must read. Most people will never see a full production of these scripts. Live theater featuring new work by living playwrights is rare in most places.For those interested in truth and in drama, the full range of the American experience and the Asian Pacific Islander American perspective, from a sansei point of view, Fish Head Soup and Other Plays is the definitive published collection of Philip Kan Gotanda's work to date. Better yet, read the text *and* see the productions. If you can.Gotanda tells stories that describe and illuminate the truth about what it means and what it's like to be Japanese American, but cultural heredity is not a prerequisite or barrier to the book. His work challenges the "truth" of other recent writers who blur the line on what really carried over to the US of A when folks from around the Pacific Rim came to stay.The drama and humor are universal and poignant, un-stereotypical in the sense that the conflicts and human interest come out of relationships and dreams, not exoticized romanticism. The dramatic lines are not always gentle, and some are shocking. The humor is grounded in what makes "other" interesting and "family" familiar.It's a window on what's happening in Asian Pacific Islander America today.