Botticelli

by Bruno Santi

Alessandro Filipepi, most commonly known as Botticelli, was born in Florence in 1444/5. For much of his life, he was closely allied to the house of the Medici, in whose sphere Botticelli's most... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 1878351176
• ISBN13: 9781878351173
• Release Date: December 1991
• Publisher: Riverside Book Company
• Length: 79 Pages
• Weight: 1.40 lbs.
• Dimensions: 0.3" x 8.3" x 11.1"

Customer Reviews

The First Sense

BOTTICELLI's art tells what he liked in other artists: the shaded color and light of Andrea del Verrocchio, the energy of Antonio del Pollaiolo, and the faces of Fra Filippo Lippi. From Bruno Santi's book, it becomes clear what he liked in his own work: atmosphere, in the coarse tent with the headless Assyrian King Holofernes and in the dawn alive with Judith and her lady-in-waiting; attention to detail, in the blue enamel armor and metal highlights of his Fortitude; color, in the dawn flesh tones under the cornflower- and daisy-decorated clothing on his Birth of Venus; innovation, in the clear path to the larger-than-life 16th-century art with his Calumny, in the first early Renaissance freely placed figures with his Primavera and in the first Italian inscription in a painting with his Madonna enthroned with saints; meditation, in the golden dusk of his Adoration of the Magi; tension, in the contorted acolytes at his Communion of St. Jerome. The author also shows in his Scala/Riverside published work what the Florentine art world was doing during David Landau and Peter Parshall's THE RENAISSANCE PRINT 1470-1500. Likewise, his beautifully illustrated text is a good way to understand Jill Dunkerton's DURER TO VERONESE, Sylvia Ferino-Pagden and Maria Kusche's SOFONISBA ANGUISSOLA, Mary D. Garrard's ARTEMISIA GENTILESCHI, Andreas Prater and Hermann Bauer's PAINTING OF THE BAROQUE, and Rudolf Wittkower's ART AND ARCHITECTURE IN ITALY 1600-1750.