Memoirs of Hector Berlioz

by Hector Berlioz

Book Overview

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• Format: Paperback
• Language: English
• ISBN: 0486215636
• ISBN13: 9780486215631
• Release Date: June 1966
• Publisher: Dover Publications
• Length: 547 Pages
• Weight: 0.90 lbs.
• Dimensions: 1.1" x 5.3" x 8.5"

Customer Reviews

Why Not Go Directly To The Source?

The inimitable Hector Berlioz was a prolific writer (perhaps he missed his true calling). His memoirs are an irresistible and captivating read, giving us an all too brief window into his life-long struggles, both personally and professionally. Cairns did a bang-up job at translation (no real complaints here) and the Everyman's edition is splendidly printed.

The Importance Of Being Hector: First Thoughts.

Anyone familiar with the works of Oscar Wilde will of course know where the "take-off" above comes from. And how trenchantly - even scathingly - funny that particular work is, even to the point where some folks have fun citing extended passages at will, out loud, just for the "yuks" it contains. Well, add "The Memoirs of Hector Berlioz" to that short list. I am now barely 100 pages into this screamer, after having recently concluded reading the magisterial and sympathetic two-volume biography of Berlioz by David Cairns (who also provides the perfect translation of these Memoirs). Frankly, I wasn't sure that I could handle "yet more Berlioz" so soon after finishing the Cairns volumes (although Cairns provided plenty of justification, in terms of his ability to pinpoint Berlioz's scathing wit). I shouldn't have worried. Berlioz is certainly famous among music lovers, and musicians and composers, for a long list of "firsts": The first to take the proto-Romantic beginnings started so auspiciously by Beethoven to new heights, the first to expand the size (and instruments) of the classical orchestra to something closely resembling today's symphony orchestra, the first to write a detailed study on the uses of the instruments in the orchestra, including the effects of venue acoustics on the orchestra's sound... It's a long list, and this is just a part of it. But Berlioz was also a brilliant writer. Inter alia, his "feuilletons" (music & arts criticism for the cultural journals of his time) and his "Evenings in the Orchestra" (including several of his better feuilletons) showed both his brilliance as a writer on the arts and his scathing wit. And that wit comes across as well in his Memoirs, as can be evidenced by this example on his very first page: "Needless to say, I was brought up in the Catholic and Apostolic Church of Rome. This charming religion (so attractive since it gave up burning people) was for seven whole years the joy of my life, and although we have long since fallen out I have always kept most tender memories of it. Indeed, such is its appeal for me that had I the misfortune to be born into the bosom of one of those schisms ponderously hatched by Luther or Calvin I should undoubtedly abjured it the moment I was able..." It gets even better later on, and the Memoirs are very well served by Cairns's idiomatic translation that so perfectly captures the trenchantly ascerbic writing qualities of which Berlioz was so capable. (Apparently, earlier translations, whether due to "bowdlerization" or simple lack of supporting documents, did not succeed to the same degree in capturing all of these qualities.) Berlioz started these Memoirs while in his mid-40's and while in London for performances of his works and finding himself with some spare time. From then until the end of his life two decades later, he would add to them, with the express requirement that they be published posthumously. There is no need to "wonder why" at this requiremen

Excellent - but not the best translation

The other reviews pretty much sum up the qualities of Berlioz's writing. Like others, I find is prose more inviting than his music. Immensely candid, entertaining and wonderfully written, it would be a great shame if only musicians were to read it - it's enjoyable on so many levels. The only reason I decided to write this was to urge anyone thinking of buying it to get hold of David Cairns' more modern translation. It reads far more fluently and somehow seems to get inside Berlioz's character in a way that the older translation doesn't. It also has among the appendices a valuable dissection of the contentious points and parts where Berlioz was economical with the truth.

Musician & Story Teller, Berlioz surprises and delights

Is this guy for real?! Hector Berlioz seems too amazing to be true: I knew he was a superb music composer but I applaud him even more as an enchanting story teller. I should have guessed that the man who came up with the Symphonie Fantastique (a symphony with a story plot) could recount the extraordinary events of his life with such vivacity and good timing. And he did have some extraordinary events in his life. Exuberant, tortured, starving, successful, in love, angered, whatever the state of Berlioz's life, he lived it fully. At times soap opera-esque (I almost fell over reading about how he plotted to dress up as a maid and kill his faithless fiance), this book was a true joy to read. Thanks, Berlioz!

A brilliant autobiograpy.

I found this book engrossing, and I don't even particularly like Berlioz' music. He was bombastic, egotistical and extremely adept at telling a story. By the first paragraph I was hooked: "During the months which preceded my birth, my mother never dreamt, as Virgil's did, that she was about to bring forth a branch of laurel.... Strange, I admit, but true. I came into the world quite naturally, unheralded by any of the signs which, in poetic ages, preceded the advent of remarkable personages." I'll never forget the scene in which Berlioz, whose tragedies never seemed to end, had to go to the cemetery in Montmartre to attend the exhumation of the remains of his former wife. Always lively, Berlioz describes his travels and the people (famous and not so) that both adorned and plagued his world. "While posting from Berlin to Tilsit I had the ill-luck to have a music-mad courier, who tormented me dreadfully the whole time I was with him.... He had a mania for composing polkas and waltzes for the piano. He used to stop at the post-houses sometimes for an unconscionable time, and there, while he was supposed to be reckoning with the landlord, he was engaged in ruling music paper and jotting down the dance tune he had been whistling for the last three hours." The famous Hector Berlioz was then expected to "write the bass and harmony to it." An entertaining read, and an education.