In January 2017, O Mayeux wrote a computer program to dismantle all the poetry he has ever written, to tear it apart at its seams, to stich its syntax into itself. What remains are these Artefacts, a cycle of asemic poetry. The abstract erotic narrative threaded through these poems is a delicate lament for the fragility of semantics, a tale of how we all remain unreadable to each other.
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