Ivy moved through the cabin with the rhythm of a woman performing a funeral rite for things that refused to die. Her rag was damp, thick with the smell of iron-heavy well water, as she wiped the mantle above the hearth. With every pass, she cleared a thin, orange film-the Appalachian silt that seemed to rise from the floorboards, drift through the chinking in the walls, and settle on everything they owned. It was a relentless, fine-grained tide. She wiped the rim of a cracked ceramic pitcher. By the time she reached the bottom, the rim was already filming over again, a microscopic dusting of red clay settling like snow in a graveyard. It was the land itself, she realized, trying to reclaim the space they had carved out. It was coming inside, tired of waiting for the mountain to finish the job of swallowing them whole. She looked at her hands. The skin was etched with deep, permanent lines of red, embedded so far beneath the surface that no amount of scrubbing would ever make them look clean again. She had spent twenty years trying to scrub the hollow away, to polish their existence into something respectable, something that didn't scream of want. But the cabin was a sieve. The dust didn't just coat the surfaces; it seemed to leach the color out of their lives, turning the curtains a flat, suffocating gray and dulling the wood of the table until it looked like bone.
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