Religion and satire can be incompatible, even opposed, but they can also join to produce great art. So argues this wide-ranging book, which seeks to identify the essence of religious satire, beginning with the art of such Renaissance figures as Erasmus and D rer and concluding with such modern writers as Beckett, Eliot, and Waugh. Modern painters and sculptors, though not often concerned with religious satire, may employ its themes--as indeed may...