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ISBN: 0374524785
ISBN13: 9780374524784

After Ovid: New Metamorphoses

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ISBN: 0374524785
ISBN13: 9780374524784

Conditions

A brand-new, unused copy in perfect condition.

Conditions

A brand-new, unused copy in perfect condition.

Book Overview

Ovid's Metamorphoses is one of the great works in classical literature, and a primary source for our knowledge of much of classic mythology, in which the relentless theme of transformation stands as a primary metaphor for the often cataclysmic dynamics of life itself. For this book, British poets Michael Hofmann and James Lasdun have invited more than forty leading English-language poets to create their own idiomatic contemporary versions of some of the most famous and notorious myths from the Metamorphoses.

Apollo and Daphne, Pyramus and Thisbe, Proserpina, Marsyas, Medea, Baucis and Philemon, Orpheus and Eurydice--these and many other immortal tales are given fresh and startling life in exciting new versions. The contributors--among them Fleur Adcock, Amy Clampitt, Jorie Graham, Thom Gunn, Seamus Heaney, Ted Hughes, Lawrence Joseph, Kenneth Koch, Michael Longley, Paul Muldoon, Les Murray, Robert Pinsky, Frederick Seidel, Charles Simic, and C. K. Williams--constitute an impressive roster of today's major poets. After Ovid is a powerful re-envisioning of a fundamental work of literature as well as a remarkable affirmation of the current state of poetry in English.

Format:
Paperback
Language:
English
ISBN:
0374524785
ISBN13:
9780374524784
Release Date:
April 1996
Publisher:
Farrar, Straus and Giroux
Length:
298 Pages
Weight:
1.15 lbs.
Dimensions:
0.7″ × 6.2″ × 9.2″
AnthologiesLiterary CriticismLiterary Criticism & CollectionsPoetry

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Customer Reviews

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These stories never age. They metamorphosize.

A collection of stories that we grew up hearing, but with all new skin. These re-tellings give new blood to Ovid and infuse his timeless book with modern spirit. Give: Apollo and Daphne packs a punch with its Elivs-like god and neo-feminist victim. A bevy of talented writers prove that familiar plots do not have to retain their old luster but can be polished anew. After Ovid is a wonderful way to loose yourself in imagination as you see the familiar become at once perverse and natal and finally familiar again.

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