A Hundred Camels in the Courtyard

by Paul Bowles

Book Overview

These are four tales of contemporary life in a land where cannabis, rather than alcohol, customarily provides a way out of the phenomenological world. Thus, of the men in these stories, Salam uses suggestions supplied by smoking kif to rid himself of a possible enemy. He of the Assembly catches himself up in the mesh of his own kif-dream and begins to act it out in reality; Idir's victory over Lahcen is the classical story of the kif-smoker's...

• Format: Paperback
• Language: English
• ISBN: 0872860027
• ISBN13: 9780872860025
• Release Date: January 1962
• Publisher: City Lights Books
• Length: 90 Pages
• Weight: 1.85 lbs.
• Dimensions: 0.3" x 5.5" x 8.0"

Customer Reviews

Bowles in altered states

From the preface: "Moroccan kif-smokers like to speak of "two worlds",the one ruled by inexorable natural laws, and the other, the kif world,in which each person perceives "reality" according to his own essence, the state of consciousness in which the elements of the physical universe are automatically rearranged by cannabis to suit the requirements of the individual."-Paul BowlesBowles immersion into the culture of North Africa has produced some of the most interesting literature. This scant collection of four stories is an attractive little book of inconsequential but readable tales. Just as Bowles studied and collected Moroccan music as a key into the North African mindset so here he studies kif as another kind of key, one that gives him direct access into the North African subconscious. Bowles sets forth in the introduction that these tales are put together making use of associations made while he was under the kif influence. ....the best parts to my ears are the hermetic sayings overheard by kif smokers. "The eye wants to sleep but the head is no mattress", "The earth trembles and the sky is afraid, and the two eyes are not brothers", "A pipe of kif before breakfast gives a man the strength of one hundred camels in the courtyard". The folk simplicity of these tales is very appealing. Later Bowles will cover this terrain again when he works with Mohammed Mrabet transcripting that Moroccans oral tales. An excellent book by Mrabet/Bowles is M'Hashish(which means full of hashish). Happy happy reading.

A lesser known treasure of the Beat movement

There are two things that set this collection of short stories apart from other Beat movement literature. First, everyone of these stories, regardless of actual plot, includes the use of kif (marijuana). Secondly, this is one of the few true Beat works that is set outside of the American continent. In fact, it is more a collection of folk tales inspired by a merge of Jewish, Moslem, and European cultures. It was not unknown for the Beats to travel to such exotic places as Morocco. William Burroughs did a stint over there. But, the tales told here could have been written by a native, rather than an outsider who was merely visiting. Well worth the read!

Paul Bowles for Beginners

"A pipe of kif before breakfast gives a man the strength of a hundred camels in the courtyard." The proverb which opens this collection of stories lets us know where Bowles is coming from. Four short tales of Moroccan kif smokers open doors into worlds distant in time, space, and spiritual reality from millennial America. Bowles' style is distantly reminiscent of Hemingway in its bare simplicity, but also evocative of the South American magical realists in its exploration of the miraculous.Each of his heroes is a kif smoker, and each finds it to be a useful and integral part of his life. Whether dealing with difficult neighbors in "A Friend of the World" or avoiding the cops in "He of the Assembly," smokers have a definite edge in Bowles' Morocco. But this is no simple paean--the stupid everyday troubles that also spring from kif are presented vividly and humorously (the soldier who loses his gun in "The Wind at Beni Midar" perfectly captures the zenith and nadir of chronic use). Short but satisfying, "A Hundred Camels in the Courtyard" makes an excellent introduction to Paul Bowles' work.