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Paperback 68 Book

ISBN: 1583226087

ISBN13: 9781583226087

68

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Book Overview

'68 es una agarradora narraci n en primera persona hecha por uno de los m s distinguidos y prol ficos escritores mexicanos de todos los tiempos, acerca de la masacre estudiantil de Tlatelolco llevada a cabo en Ciudad de M xico en 1968.

El prop sito de Paco Ignacio Taibo II es el de recuperar, a trav s de su memoria y de las notas que l mismo tom durante aquellos d as, la verdad de los hechos ocurridos durante el verano del '68 hasta el terrible 2 de octubre. Por lo menos 200 estudiantes fueron matados a tiros y much simos m s fueron los heridos y los detenidos. Luego, los cuerpos de los miertos fueron sacados con camiones, los adoquines fueron lavados y el atroz crimen "desapareci ". Taibo II, con una narraci n que recuerda Tienanmen y Belgrado, describe la gradual formaci n del movimiento que, desde algo fragmentado y falto de direcci n lleg a convertirse en un grupo revolucionario organizado. No se le escapan al autor los detalles horribles: el bengala lanzado para dar la orden de disparar contra la muchedumbre estudiantil; los cuerpos de estudiantes tirados desde los aviones. Hoy d a el recuento oficial de los eventos sigue negando la matanza. A trav s de una prosa provocadora, anecd tica y anal tica, Taibo II reivindica "un fantasma mexicano m s, de los muchos fantasmas irredentos e insomnes que pueblan nuestras tierras".

Customer Reviews

2 ratings

The real Thing

This is what primary-source, first-person history is supposed to be like, and it's written with regret -- regret, specifically, that Taibo II finds himself alone as the memorialist of the rebellion and massacres of 1968. History has made Mexico City into the empty center of the events of that year, and the place where so much of what was to follow, from the Dirty War in Argentina to, ultimately, the Zapatista rebellion in Chiapas, found its beginning. This is essential history; a book that every school library should have.

An Effective Document Of Memories.

Paco Ignacio Taibo II, considered by many to be Mexico's greatest modern writer, dives into his memories of 40 years past to recollect a time when the world was turning upside down, when political movements were more than just slogans, and when revolution was something the young deeply aspired to. "68" is a powerful, fascinating look at 1960s Mexico, while America was celebrating flower power, Latin America's own youth was inspired and captivated by the possibility of socialist revolution inspired by events in Cuba and figures like Che Guevara. The mass student movement culminated in a notorious chapter of Mexican history: The October massacre in Tlatelolco Square where hundreds, possibly thousands of people were shot down by government troops in an even still shrouded in mystery and official denial. Taibo is the perfect choice to write on the subject considering he lived through it, he was one of the students marching in the streets of Mexico City that year and still a Leftist, having written the definitive Che bio, "Guevara, Also Known As Che." His chronicle here is a nostalgic, interesting, never boring slice of memory. He meticulously captures the culture of the time, not just politically but socially, showing us a conservative country rattled by the emergence of hippies and miniskirts, with students studying Marx and traveling to Havana to drink in the idea of utopian revolution. He also captures the dark side of the times, the brutal government repression, troops invading campuses in ways that make the 60s campus battles in the U.S. seem like child's play. There are comic side stories that dip into the more light-hearted side of youth and discovery, but always full of intrigue, consider Taibo lamenting his girlfriend leaving him for a "student" that turned out to be a government informant. "68" races along with the urgency of memory, of a writer trying to get it all down before memory and official history begin to fail. 40 years later the bloody events of 1968 will no doubt be revisited in Mexico, and in times just as interesting with the new rise of the Left in the region impulsed by Venezuela. But the beauty of "68" is how it is just such a well-written, fascinating moment in time, a universal story of being young and having ideals, fighting authority and hoping for something better. The hope and terror are all here, "68" is not confined to it's era and finds itself at home in our own decisive moment in history.
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