Chords & Progressions for Jazz & Popular Guitar

by Arnie Berle

Book Overview

(Music Sales America). Practical examples and exercises take guitar players from basic theory and simple accompaniment patterns to advanced chord soloing and comping in this book. A complete survey of... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0825610567
• ISBN13: 9780825610561
• Release Date: January 1992
• Publisher: Music Sales
• Length: 128 Pages
• Weight: 1.30 lbs.
• Dimensions: 0.4" x 9.0" x 11.9"

Customer Reviews

A Logical Place To Start

The beginning guitarist often buys one of the many chord books, typically entitled something like "1000 Guitar Chords!" in his or her search to advance. But once they start looking throuugh these massive volumes the reaction is not enlightenment, but desapir. What are all these chords for? Which ones do I have to know? And when do I actually use them?Luckily, though, there's Arnie Berle. This boook will guide anyone from the rank beginner through the intermediate guitarist through the maze of chords. Rather than the usual listings- "here's every possible C shord in every position"- Arnie starts out simply and builds on basics, showing you at every step how chords function, where they come from, and why you might want to use a particular form in a particular situation. The book starts with open chords, and then moves into the rocker's favorite, 6 string bar chords, with plenty of examples of common progressions. From there it's on to 4 and 5 string jazz voicings, along with copious examples, and simplified 3-string rhythm chords for the swing or big band guitarist. By the time you finish with this book- and you might take anywhere from a month to a year, depending on how you went at it- you should be able to start with a simple lead sheet and make your own hip rhythym part. I'd recommend this book to beginners inetrested in learning something beyond simple open chords- particularly those with a bit of jazz interest. I'd also recommend it to any intermediate-level guitarist who wants to go beyond the basic rock chords into something a little hipper. There's something here for most every player.

A great book written by a great teacher

Arnie is a great teacher...The book is perfect to understand progressions, chord substitutions and so on... If you're trying to understand the jazz basics and if you want to succeed in jazz, this book is for you. Thank you Arnie!

Good, comprehensive book on jazz chord voicings

This is a great book for the intermediate guitarist, or for advanced players looking to move into the jazz arena. (Not for novices: only the first 29 pgs. out of 126 are beginner-level info. The learning curve gets a good deal steeper after that.) The book first walks you through basic jazz chord forms (with roots on 6th and 5th strings), then into inversions (seemingly every conceivable type!). Next, you get to deal with extensions, alterations, embellishments, and substitutions for I, II, and V chords (and, ultimately, any major, minor, or dominant). The rest of the book is fleshed out with smaller sections on triads, chord melody playing, comping, etc., which work to tie the concepts together. The format is mainly chord diagrams, indicating both fingering and note values (roots, 3rds, etc.). Works best taken in doses, working with each concept until absorbed. Used along with a study of scales/modes and their use around various chord shape, you could become a true fretboard master!

good book for learning chords on jazz progressions,

this is a good book for learning chords and jazz progressions. it starts off fairly simple and gets more complicated as the book continues.it gets pretty in depth and does explain the material in a logical way but u have to stick with it to get the most out of it.If u want to learn chords and jazz progressions i would recommend this one

Perfect for the Neophyte Guitarist

Unlike a lot of books that expect you to already know some music theory before you use them, this book doesn't assume anything.It bogs you down a little with the inversions they have you memorize, and the chords that look like fractions and chemistry symbols are intimidating, but at least you start out slow and easy...by the time you're into the inversion chapter you've already been able to hear your progress in a jazz-flavored accompaniment to "Blue Moon". I myself was amazed after I played it and could actually superimpose the song over the chord changes in my mind; I could say, yeah, that works! I wish all guitar instruction books were programmed the way this one is. By the end of the book, and I'm not there yet, you really know your music, and not just jazz, either!