Zorba the Greek

by Nikos Kazantzakis and Nikos Kazancakis

Book Overview

A stunning new translation of the classic book--and basis for the beloved Oscar-winning film--brings the clarity and beauty of Kazantzakis's language and story alive. First published in 1946, Zorba... This description may be from another edition of this product.

• Format: Mass Market Paperback
• Language: English
• ISBN: B001UBJQ9E
• Release Date: January 1965
• Publisher: Ballantine Books
• Length: 347 Pages
• Weight: 0.46 lbs.

Customer Reviews

A Great Story for All Seasons

The classic movie starring Anthony Quinn was based upon this book. As the story goes, Alexis Zorba is an old Greek workman who accompanies the narrator, a bookish philosopher, to Crete to exploit a mine he owns there. Zorba is a figure created on a huge scale: his years have not dimmed the flame by which he lives, the gusto with which he responds to all that life offers him, whether he is organizing the work at the mine, coping with mad monks in a mountain monastery, embellishing the endless tale of his past adventures, or making love to Dame Hortense. Nikos Kazantzakis is one of the most distinguished and individual of modern Greek writers, and in Zorba the Greek he has written a book that lives by a vitality and rhythm that seems to owe little or nothing to the contemporary traditions of the Western novel. It is bursting with wit, fantasy, and enjoyment of life, and at the same time has a continual undertone of serious philosophical reflection. Zorba the Greek is Rabelaisian, a Don Quixote in which the role of the knight and Sancho Panza are reversed, plus a distinct Arabian Nights touch. About the Author Nikos Kazantzakis was born in Crete in 1885. He studied at the University of Athens where he received his Doctor of Laws degree, later in Paris under the philosopher Henri Bergson, and completed his studies in literature and art during four other years spent in Germany and Italy. Also author of The Last Temptation of Christ and Saint Francis, not to mention one of the best spiritual autobiographies I have ever read, Report to Greco.

Against moral accountability

Although this is a review to the book it is also a response to the review of besario. Kazanzakis as I mentioned in my review to "Report to Greco" spend all his life trying to understand the role of humans on this earth and our struggle with spirituality. Zorbas comes in as a character that is the complete opposite to the character of Kazantzakis in "Report to Greco". He is the portrayal of a man that is morally accountable to no-one but himself. This is along the lines of existentialism (as in "Caligula" by Albert Camus). It is up to the reader to understand what Kazantzakis wants to convey in this book, but the reader must be familiar with the author and also to have the ability to think beyond the surface. Our behavior depends on whether we believe that at the end we will have to account for our actions or just disappear. This is a choice that centers on idividual humans as we are the sole judges. We can either follow Kazantzakis' character in "Report to Greco" or his character in "Zorba the Greek" or just a happy medium. Zorba the Greek is not a celebration of the Greek spirit and it is not how the majority of Greeks are. The books is not meant to be a travel guide to Greece but rather an outline of human behavior when it has no moral boundaries. This book is not light reading, as you have to be the judge of Zorbas' actions and it is for an audience that is capable of higher level thought.

A True Exploration Of Life

I read the Arabic translation of this book, and I love it. I don't want to recite the novel here but rather would like to share what I grasped from it. It's a true exploration of life in multiple perspectives, through Zorba, the narrator, and the other characters. Regardless of the fact whether they are right or wrong but rather how they perceive, experienced, and live life, and the peace they feel with themselves due to their understanding in the domain of their thinking. For example the monk who shared his views of life and was waiting to know how the narrator feels about them. I believe that Kazantzaki wants the reader to draw his own conclusions about the meaning of life not through the actions and believes of Zorba alone but rather through a spectrum of beliefs. I felt that clearly in chapter 20 when Zorba himself explained that he have more to learn of life. Whenever he get lost clearing things up in his mind he mumbles, then he erases and start seeing things again for the first time. Zorba like any regular person lives in contradictions, and the writer clearly doesn't want to portray him as a perfect human. The reader of this book should try to go beyond the little things and get to the wisdom. A truly great book that explores the answers to the big questions of "What life really is?" "How you want to live it?" The writing of Kazantzaki is spectacular, breathtaking, and truly marvelous. This a true master piece that philosophically teaches us to live life to the fullest by thinking simply, observing timelessly and dancing to the tones of nature endlessly.

Wonder and tragedy: our short and beautiful time on earth

In approximately 1914, before World War I, the narrator, a young cerebral writer who wants to become rooted in the earth and physical labor, rents a lignite mine on the beautiful island of Crete. As he is about to depart, he meets a much older, experienced, and very earthy Alexis Zorba, whom he hires to be his foreman and cook. What he learns, and we through him, may change your life. First, a warning: to appreciate this amazing book, one must be able to look past the misogyny and sexism of life on Crete in 1914, and focus on the love and relationship of two men. Zorba plays the santuri, has had a family and many lovers, has fought in the Balkan Wars, has lived and loved-his knowledge is rooted in love, suffering, sweat, and blood. He is a simple but deep man who lives life without shame, bares himself, has no guile or guise, and lives every moment fully--not only his joy, but his tears, his compassion, his anger, his hunger, his thoughts and his questions. His character is perceptively portrayed by the first person narrator who is a contemplative who gradually comes to see the poverty of a life always filtered through philosophical, religious, or cultural judgments. He immediately appreciates Zorba's wonder at life, Zorba's music and dance, and the way Zorba sees the same old things every day as if new. Zorba is life itself, a fleeting moment with a discrete beginning and final end. The narrator especially learns that by holding on to his safety and security he has sacrificed much by failing to live to the fullest like Zorba. The book is absolutely beautifully written, makes you cry at the beauty and wonder of being alive, makes you ache for loved ones who are gone, and cry at our ultimate fate, death, in the face of which we must live with ever more Zorba-like zest.