This book examines the alliance between fiction and fact to analyze the role of History in Mimouni's fiction through a multidisciplinary approach. Transforming writing into a medium of revolt and combat is fully asserted in the work of Rachid Mimouni. Relying on factual material through a transgressive aesthetic, Mimouni depicts the post-independence Algerian reality, exposing the deep wounds of a society in decay. Known as the writer of disenchantment, he aligns himself with authors who refuse to bow to the falsification of historical truth. His trilogy (Le Fleuve d tourn , Tomb za, and L'Honneur de la tribu) shapes an apocalyptic world where political upheavals, authoritarian despotism, corruption, and collective suffering are sharply portrayed.
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