First study to address the representation and discursive construction of women in European Holocaust films Provides a unique multidisciplinary perspective that contributes to European Film Studies, Holocaust Studies and Women's Studies
Examines how and why the portrayal of women in European Holocaust films has changed since the end of the war
Casts new light on cinema's function as a discursive intervention into cultural memory and the politics of remembrance
Offers a significantly more inclusive account of Holocaust representation of women than has been attempted before
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