This book, first published in 2000, traces the progress of Renaissance romance from a genre addressed to women as readers to a genre written by women. The Elizabethan period saw a boom in the publication of romances by male authors. Many of these, Helen Hackett argues, were directed at an imagined female audience, advertising to male readers the voyeuristic pleasures of fictions supposedly read in women's bedchambers. Yet within a hundred years this...