After yet another hospital visit, a sickly boy named Samuel, age 12, is killed when his parents' car is hit by a truck. He suddenly finds himself standing outside the car, confronted by the truck driver's grotesque grin and black-eyed stare. Fleeing the driver, Samuel encounters Gloria, a ghostly little girl, who tells him his "time among the living has ended" and whisks him away to where she says he will spend eternity: the hospital of his sickly childhood. The building is decaying and condemned; hauntingly, the abandoned room Gloria puts him in is the same one he occupied years before. For confused, distressed Samuel, time becomes meaningless until he receives a visit from 12-year-old Maria, another hospital inmate. She tells him what he doesn't want to hear: "You're dead, and I'm dead. We're all dead here." On the bright side, she says, ghosts don't get sick-and they can walk through walls and "kind of" fly. The downside: Gloria won't let them leave. Maria's attempt to escape provides the catalyst for what happens next, including a satisfying riff on popular ghost hunter-type TV shows, Samuel's exploration of his burgeoning powers, and his meeting with the ghostly distant relative he's always idolized-Henry, a World War II hero. In Rudquist's gripping yarn, Samuel plunges into an unsettling afterlife where horror awaits beneath a facade of bleak mundanity. Evenly balanced between present-day action and flashbacks, the narrative provides dimension, revealing the pain beneath Maria's strength of purpose, the reasons for Samuel's single-minded blindness to friendship and good advice, and Henry's vulnerability. Some readers might be tempted to skim the lengthy scenes set in the 1940s North African desert, where Henry is a lowly private in an anti-tank unit, but the details are colorful and well observed, lending weight to his meeting with Samuel. The final, twisty showdown with Gloria may be a familiar horror story trope, but it's a real chiller, leading to an unexpected yet fittingly bittersweet conclusion.
An inventive ghost story with authentic depth-not overly graphic, but genuinely nightmarish.